In the opening scene of Thunderball, James Bond (Sean Connery) attends the funeral of a man that he wishes he could have killed himself. Following the ceremony, there is an action sequence almost immediately. It is very well choreographed and fast paced–something that can’t be said about all of the action sequences in this movie. He eludes more armed baddies and escapes into the Paris day.
Oh, and he also has a jetpack. Just saying.
The opening credits sequence kicks in, and we hear Tom Jones singing the titular theme. It is a well-sung song. Perhaps it is apocryphal, but the story goes that Jones passed out in the recording studio after Continue reading Thunderball (1965) Movie Review
The cold open of Goldfinger has in it seemingly every James Bond trope. Bond (Sean Connery) sneaks and fights his way into a guarded facility. He uses a gadget to blow something up (for God knows what reason). Then, he strips down to a white suit and diffuses into the social world, where he rendezvouses with another agent. There’s also an attractive woman dancing, just for good measure. A woman Bond then attempts to bed, only to be approached from behind by an armed assailant. And, as always, the altercation ends in a one-liner.
It is James Bond in a nutshell.
Following this cold open, we get one of the better Bond opening title sequences. A stark black background and projected film footage casts gold-painted women in shadows. All the while, Shirley Bassey’s voice erupts above the stagnant visuals. It isn’t hard to see Continue reading Goldfinger (1964) Movie Review
From Russia With Love, the second film adaptation of Ian Fleming’s work to depict MI6 agent James Bond, cold opens on a cat and mouse chase at night. Bond (Sean Connery) steps out of the shadows and moves silently across the grassy landscape, knowing that he is being tailed. The assailant (Robert Shaw), stalks Bond, then retreats to the cover of a nearby bush to wait for the perfect moment to strike. Surprisingly, he gets that perfect moment. Bond goes down, choked by wire at the hands of the assassin. The super spy is bested.
Or is he.
Lights go up, and an army of men are revealed. The event was a training exercise and Bond: a grunt in a Connery mask. Someone is out to get Bond. Someone very powerful.
Continue reading From Russia With Love (1963) Movie Review
1962’s Dr. No is the first adaptation of Ian Fleming’s work, bringing to the screen his iconic super spy character James Bond. The first time we see Bond (Sean Connery) in this film, the stage is already set for Connery to set the precedent for how the spy is meant to look and act on screen. He puffs casually at a cigarette as he gambles and flirts with his female competitor (Eunice Gayson). His look is suave, his mannerisms subtle and laid back. Connery immediately embodies Fleming’s sharp-witted and womanizing Bond.
The film is littered with retrospective moments in which we can see precedents being set for the franchise. The iconic score blares in right off the bat, as we stare down the barrel of a gun. This theme repeats itself many times throughout the film. Bond and M (Bernard Lee) discuss Continue reading Dr. No (1962) Movie Review