From Russia With Love, the second film adaptation of Ian Fleming’s work to depict MI6 agent James Bond, cold opens on a cat and mouse chase at night. Bond (Sean Connery) steps out of the shadows and moves silently across the grassy landscape, knowing that he is being tailed. The assailant (Robert Shaw), stalks Bond, then retreats to the cover of a nearby bush to wait for the perfect moment to strike. Surprisingly, he gets that perfect moment. Bond goes down, choked by wire at the hands of the assassin. The super spy is bested.
Or is he.
Lights go up, and an army of men are revealed. The event was a training exercise and Bond: a grunt in a Connery mask. Someone is out to get Bond. Someone very powerful.
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1962’s Dr. No is the first adaptation of Ian Fleming’s work, bringing to the screen his iconic super spy character James Bond. The first time we see Bond (Sean Connery) in this film, the stage is already set for Connery to set the precedent for how the spy is meant to look and act on screen. He puffs casually at a cigarette as he gambles and flirts with his female competitor (Eunice Gayson). His look is suave, his mannerisms subtle and laid back. Connery immediately embodies Fleming’s sharp-witted and womanizing Bond.
The film is littered with retrospective moments in which we can see precedents being set for the franchise. The iconic score blares in right off the bat, as we stare down the barrel of a gun. This theme repeats itself many times throughout the film. Bond and M (Bernard Lee) discuss Continue reading Dr. No (1962) Movie Review