Guillermo del Toro, with his latest The Shape of Water, weaves, in effect, a fairy tale monster movie. Imbued with the shadowy lighting and terse patriotism of the Cold War 1950s, in which nationalistic patsies are led by men in trench coats who speak in passwords, the film sets itself in an industrial government building that hides away U.S. military secrets.
Working in this industrial warehouse, underneath the shadowy government officials and their shills and patsies, is the mute Elisa (Sally Hawkins). With the camaraderie of Zelda (Octavia Spencer), who fills the space where Elisa’s words cannot reach, they clean the facility. This includes cleaning up the blood after a new arrival to the facility causes Continue reading The Shape of Water (2017) Movie Review