Sorry to Bother You is the sort of film that wants to do so much, and delights so much in each thing that it attempts to do, that it is hard not to get caught up in the manic world and unique artistic voice. On the other hand, the further you go into unpacking the densely-packed funhouse of oddities in the film, the harder it is to wrap your head around why you enjoyed the viewing experience in the first place.
To be clear, it is difficult to explore this funhouse without delving into crucial plot details that are better experienced untarnished, as predictability is a word that holds no meaning in the final third of the film. But there is something that Continue reading Sorry to Bother You (2018) Movie Review→
Driving home from the theater last night, I saw something really quite lovely. Turning down a curved street, and entering my line of vision for no longer than a second, I saw two people in conversation sitting on a ledge outside of a hotel. The pair—one a man, his back to me, and the other a woman, a warm smile on her face and a soulful tenderness in her eyes—each sat with their legs pulled up to their chests, almost as if they were mirrors of each other.
They were experiencing a genuinely human moment, captured through the film of my windshield. It was a silent movie. It ran for 1.5 seconds or less. But that snippet had more life, energy, and emotion than every shot in Solo: A Star Wars Story put together.
Now, you may be thinking: what do two people sitting on a ledge in real life have to do with a multi-billion dollar franchise’s sequel/prequel? In execution: nothing.
The HBO film Fahrenheit 451, adapted from the book by Ray Bradbury, begins with a quote attributed to the Bill of Rights: “It is better to be happy than free.” The attribute is erroneous. It’s fake news. (See what they’re doing here?)
Ramin Bahrani adapts the Bradbury novel to address new media, and this fake quote encapsulates the central mission statement of the vague government body in the film. This is a government who tasks fire fighters with burning books instead of putting out fires, the aim being to Continue reading Fahrenheit 451 (2018) Movie Review→
The creative pairing of Aaron Moorhead and Justin Benson have produced three feature films: Resolution, Spring, and now The Endless. I will admit that I have not seen their previous two films (although, they made a short for the anthological horror sequel V/H/S: Viral that I did not care for).
Through the endless minutes of exposition at the front-end of The Titan, we hear a lot of what we have heard before in dystopian science fiction. Population is rising, while resources are dwindling. Pressures for survival have lit up violent conflicts across the world. Scientists and military personnel are desperate for a solution. Terraforming Saturn’s moon, Titan. Biogenetic enhancements to survive such a move. Medical trials gone wrong. Yadda yadda.
Rick Janssen (Sam Worthington) is one of these test subjects. A military man who was once thought MIA while in the Syrian desert, it is this incident that convinces the government that he is Continue reading The Titan (2018) Movie Review→
Ernest Cline’s science fiction novel Ready Player One is not just laced in nostalgia; it is fully marinated in it. The story takes place in 2045, where most people in the world are deeply entrenched in an MMO-style VR video game dubbed The Oasis. With the death of the video game’s creator, James Halliday (Mark Rylance, in the film adaptation), a massive game-wide hunt is afoot for an Easter Egg that will give its finder control over The Oasis.
In essence, it is a story about Easter Eggs created by a person with a strong fondness for Easter Eggs that itself is littered with Easter Eggs. It is a nostalgia vehicle. This is not inherently a bad thing.
In Pacific Rim: Uprising, the sequel to Guillermo del Toro’s 2013 film Pacific Rim, one-time military cadet Jake Pentecost (John Boyega) rips off junkers in a war-torn city to make his living. 10 years prior, Jake’s father (Idris Elba) sacrificed himself to stop a breach in the sea floor that allowed building-sized Kaiju into the world.