Category Archives: Sci-Fi/Fantasy

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Fantasia Festival 2020 Movie Reviews — Undergods, You Cannot Kill David Arquette, Morgana

Continuing our coverage of the 2020 Fantasia International Film Festival, here are reviews of three festival selections: Undergods, You Cannot Kill David Arquette, and Morgana.

 

Undergods

A European-set anthology, Chino Moya’s Undergods has a strange energy. Occasionally languid, other times erupting in anger or abjection, it is a turbulent film aiming to Continue reading Fantasia Festival 2020 Movie Reviews — Undergods, You Cannot Kill David Arquette, Morgana

Fantasia Festival 2020 Movie Reviews — Special Actors, Fried Barry, Patrick

Continuing our coverage of this year’s virtual Fantasia Festival, here are reviews of a few more titles playing at the fest: Shinichiro Ueda’s Special Actors, Ryan Kruger’s Fried Barry, and Tim Mielants’ Patrick.

 

Special Actors

Shinichiro Ueda’s follow-up to the great horror experiment One Cut of the Dead is not a horror film, but an oddball comedy about Continue reading Fantasia Festival 2020 Movie Reviews — Special Actors, Fried Barry, Patrick

Review: Lapsis — Fantasia Festival 2020

Lapsis is screening as part of the 2020 Fantasia Festival program.

The science fiction world of Lapsis is much like our current reality. The major alteration comes in the form of “Quantum” technology, and, as with any technological innovation, some are hesitant to adapt. Such is the case with Ray (Dean Imperial), who finally folds to the pressures for the sake of his ill brother. He purchases a “Quantic 7” computer and takes a job working for a Quantum cabling company, CBLR. Quantum tech is fueled by cables which are manually laid and attached to magnetic cubes.

Ray is given the materials needed to cable through somewhat illicit means, and the previous owner was Continue reading Review: Lapsis — Fantasia Festival 2020

Fantasia Festival 2020 Movie Reviews — Sleep, Yummy, The Columnist

The 2020, online-only edition of Fantasia Festival is less than a week away, and this year’s lineup is filled with intriguing genre films from around the world. Over the next few weeks, CineFiles will be bringing you coverage of the event, with both feature and roundup reviews from the fest.

Today, we look at three on-demand titles that are coming down the pike: Sleep, Yummy, and The Columnist.

 

Sleep

Marlene (Sandra Hüller) is plagued by nightmares of Continue reading Fantasia Festival 2020 Movie Reviews — Sleep, Yummy, The Columnist

Is Serenity (2019) The Next Great Good-Bad Movie? — Diamonds in the Rough

Diamonds in the Rough (DitR, /dɪ’tər/) takes some of the most derided, divisive, controversial, financially catastrophic, and meme-worthy movies and tries to find the silver lining. Bad movies don’t always start as bad ideas, and flops aren’t always flop-worthy. DitR seeks to find the good within the bad, because the world could use some positivity. And when all else fails, making fun of bad movies is oh-so satisfying.

In this installment, we look at the 2019 Steven Knight drama, Serenity. [Caution: Spoilers Ahead]

Serenity

  • Rotten Tomatoes: 20% (188 reviews) | 29% (1,461 user ratings)
  • Metacritic: 37 (38 critics) | 4.5/10 (90 user ratings)
  • IMDb: 5.3/10 (31,656 ratings)
  • Letterboxd: 2.0/5 (18,729 ratings)

 

To put it plainly, the Matthew McConaughey, Anne Hathaway-starring crime mystery film Serenity is a wild one. It does not Continue reading Is Serenity (2019) The Next Great Good-Bad Movie? — Diamonds in the Rough

Is the Steven Soderbergh-Produced Movie Perfect (2018) a Hidden Gem? — Diamonds in the Rough

Diamonds in the Rough (DitR, /dɪ’tər/) takes some of the most derided, divisive, controversial, financially catastrophic, and meme-worthy movies and tries to find the silver lining. Bad movies don’t always start as bad ideas, and flops aren’t always flop-worthy. DitR seeks to find the good within the bad, because the world could use some positivity. And when all else fails, making fun of bad movies is oh-so satisfying.

In this installment, we look at the 2018 Steven Soderbergh-produced, Flying Lotus-produced science fiction film from Eddie Alcazar, Perfect. [Caution: Spoilers Ahead].

Perfect

  • Rotten Tomatoes: 17% (12 critics)
  • Metacritic: 36 (7 critics)
  • IMDb: 5.5/10 (1,496 ratings)
  • Letterboxd: 3.6/5 (369 ratings)

 

I should be transparent from the outset: I found Perfect to be insufferable. This is Diamonds in the Rough, though, thus I am here to mine these films for their positives. However, this one was Continue reading Is the Steven Soderbergh-Produced Movie Perfect (2018) a Hidden Gem? — Diamonds in the Rough

Did Audiences Get The Box (2009) Wrong? — Diamonds in the Rough

Diamonds in the Rough (DitR, /dɪ’tər/) takes some of the most derided, divisive, controversial, financially catastrophic, and meme-worthy movies and tries to find the silver lining. Bad movies don’t always start as bad ideas, and flops aren’t always flop-worthy. DitR seeks to find the good within the bad, because the world could use some positivity. And when all else fails, making fun of bad movies is oh-so satisfying.

In this installment, we look at The Box, the third feature film from Richard Kelly (Donnie Darko). [Caution: Spoilers Ahead]

The Box

  • Rotten Tomatoes: 44% (155 critics) | 24% (359,082 user ratings)
  • Metacritic: 47 (24 critics) | 2.8/10 (228 user ratings)
  • IMDb: 5.6/10 (87,215 ratings)
  • Letterboxd: 2.5/5 (13,211 ratings)
  • CinemaScore: F

 

Richard Kelly’s The Box is in the rarefied arena of Continue reading Did Audiences Get The Box (2009) Wrong? — Diamonds in the Rough

Dolittle (2020) Movie Review

In one way or another, the movie Dolittle broke me. Coming home from the theater and sitting down to write this review, my mind still cannot think clearly after witnessing a film that my eyes actively rejected. Robert Downey Jr., coming off of his triumphant tenure as Iron Man in the Marvel films, leads an all star cast—a cast which includes Antonio Banderas, Emma Thompson, Rami Malek, Ralph Fiennes, Jim Broadbent, and Octavia Spencer, among many others—in what can only be described by technical definitions as cinema.

It might be important to note that the 1967 Doctor Dolittle, which starred Rex Harrison and was made with a lofty budget, was nominated for Best Picture at the Academy Awards and won in two other categories (despite how atrocious it is). It might be just as important to note that Continue reading Dolittle (2020) Movie Review

Star Wars: The Rise of Skywalker (2019) Movie Review

There is something completely understandable and, to  an extent, forgivable about the slapdash, lumpy, and largely hollow pieces that shape the narrative of Star Wars: The Rise of Skywalker. There is a distinct feeling, present from the opening scene of The Rise of Skywalker, that J.J. Abrams started this race a lap behind (Abrams was brought on late to the film after Disney parted ways with Colin Trevorrow).

It is a feeling that some higher power, whether it be Abrams or Kathleen Kennedy or whoever, decided to Continue reading Star Wars: The Rise of Skywalker (2019) Movie Review

Review: The Platform (El Hoyo) – Fantastic Fest 2019

Galder Gaztelu-Urrutia’s The Platform concerns not so much the platform as it does the pit, a pit descending hundreds of stories down through a concrete prison established by “The Administration.” Two people are housed on each level of this enclosure. Some are volunteers, others are criminals, but they are all prisoners. Each day, a platform descends housing a bounty of food and drink. The people at the top can eat as much as they want; those down below get what’s left, if anything. And every month the prisoners switch floors.

Goren (Ivan Massague) wakes on his floor—47, not too shabby all things considered—not knowing what Continue reading Review: The Platform (El Hoyo) – Fantastic Fest 2019