The Dark and the Wicked is screening as part of the 2020 Fantasia International Film Festival program.
Bryan Bertino’s The Dark and the Wicked, his first feature film since 2016’s The Monster, is in one sense a story of grief and loss. Two siblings, Louise (Marin Ireland) and Michael (Michael Abbott Jr.), return to their parents’ Texas farmhouse, as it has become clear that their mother (Julie Oliver-Touchstone) is struggling to care for their ailing father (Michael Zagst). Following an untimely death, Louise and Michael have to maneuver grief, while also contending with an evil presence that is haunting the farm.
The virtual Fantasia Festival 2020 is in the full swing of things, with on-demand and live premiere titles becoming available to Canadian audiences. Here are reviews of three films playing the fest, The Oak Room,PVT Chat, and Hunted.
Labyrinth of Cinema is screening as part of the 2020 Fantasia International Film Festival program.
Labyrinth of Cinema is truly a unique cinematic experience. But simply saying that does not even begin to get at the heart of what makes the film so special. Nobuhiko Ôbayashi’s final film—the director passed away earlier this year—it is a film which pays homage to cinema itself, exploring the power the cinematic medium has to enact change on both an individual and community level. It is a three-hour epic, dubbed during the opening titles as “a movie to explore cinematic literature.” And it is idiosyncratic to a degree where it is difficult to describe in a way that compliments the film. Not that the film is unworthy of compliment.
Survival Skills is screening as part of the 2020 Fantasia International Film Festival
Quinn Armstrong’s Survival Skills has plenty of contemporaries. This faux police training video has the same old media affection, anachronistic diegetic reality, and cringe comedy of the late night comedy of Tim & Eric, viral alt comedy videos like Too Many Cooks, and a handful of other indie films on the festival rotation in recent years. Survival Skills deviates enough from these by presenting a less overtly comic take on the postmodern pastiche of the VHS tape aesthetic. But this tone is also the major detracting feature of the film.
Continuing our coverage of this year’s virtual Fantasia Festival, here are reviews of a few more titles playing at the fest: Shinichiro Ueda’s Special Actors, Ryan Kruger’s Fried Barry, and Tim Mielants’ Patrick.
Lapsis is screening as part of the 2020 Fantasia Festival program.
The science fiction world of Lapsis is much like our current reality. The major alteration comes in the form of “Quantum” technology, and, as with any technological innovation, some are hesitant to adapt. Such is the case with Ray (Dean Imperial), who finally folds to the pressures for the sake of his ill brother. He purchases a “Quantic 7” computer and takes a job working for a Quantum cabling company, CBLR. Quantum tech is fueled by cables which are manually laid and attached to magnetic cubes.
Crazy Samurai Musashi takes about five minutes to establish its exceedingly simple premise: the Yoshioka clan must dispatch their entire army if they hope to vanquish the man they set out to kill, Miyamoto Musashi (Tak Sakaguchi). Then, the film commits to a 77-minute single take action sequence, in which Musashi does away with hundreds of swordsmen.
Matt Furie is a soft-spoken cartoonist living in San Francisco with his wife and daughter. Mild mannered to a fault, Furie immediately smacks of a conflict-adverse, peace-keeping man. He almost certainly had no idea what 4Chan, the online collection of volatile chat boards, was. Then, the site’s users co-opted his most famous cartoon image: Pepe the Frog.