Continuing our coverage of the 2020 Fantasia International Film Festival, here are reviews of three festival selections: Undergods, You Cannot Kill David Arquette, and Morgana.
A European-set anthology, Chino Moya’s Undergods has a strange energy. Occasionally languid, other times erupting in anger or abjection, it is a turbulent film aiming to Continue reading Fantasia Festival 2020 Movie Reviews — Undergods, You Cannot Kill David Arquette, Morgana
The Dark and the Wicked is screening as part of the 2020 Fantasia International Film Festival program.
Bryan Bertino’s The Dark and the Wicked, his first feature film since 2016’s The Monster, is in one sense a story of grief and loss. Two siblings, Louise (Marin Ireland) and Michael (Michael Abbott Jr.), return to their parents’ Texas farmhouse, as it has become clear that their mother (Julie Oliver-Touchstone) is struggling to care for their ailing father (Michael Zagst). Following an untimely death, Louise and Michael have to maneuver grief, while also contending with an evil presence that is haunting the farm.
It is certainly a workable premise for a moody horror flick, but the film ultimately fails to Continue reading Review: The Dark and the Wicked — Fantasia Festival 2020
The virtual Fantasia Festival 2020 is in the full swing of things, with on-demand and live premiere titles becoming available to Canadian audiences. Here are reviews of three films playing the fest, The Oak Room, PVT Chat, and Hunted.
Cody Calahan’s The Oak Room looks pretty good—opening with slow-moving wide-angle shots of a barroom. The camera establishes mood, producing a Continue reading Fantasia Festival 2020 Movie Reviews — The Oak Room, PVT Chat, Hunted
Labyrinth of Cinema is truly a unique cinematic experience. But simply saying that does not even begin to get at the heart of what makes the film so special. Nobuhiko Ôbayashi’s final film—the director passed away earlier this year—it is a film which pays homage to cinema itself, exploring the power the cinematic medium has to enact change on both an individual and community level. It is a three-hour epic, dubbed during the opening titles as “a movie to explore cinematic literature.” And it is idiosyncratic to a degree where it is difficult to describe in a way that compliments the film. Not that the film is unworthy of compliment.
Ôbayashi, in his attempt to champion the power of cinema, breaks Continue reading Review: Labyrinth of Cinema — Fantasia Festival 2020
Survival Skills is screening as part of the 2020 Fantasia International Film Festival
Quinn Armstrong’s Survival Skills has plenty of contemporaries. This faux police training video has the same old media affection, anachronistic diegetic reality, and cringe comedy of the late night comedy of Tim & Eric, viral alt comedy videos like Too Many Cooks, and a handful of other indie films on the festival rotation in recent years. Survival Skills deviates enough from these by presenting a less overtly comic take on the postmodern pastiche of the VHS tape aesthetic. But this tone is also the major detracting feature of the film.
The film follows smiley Jim (Vayu O’Donnell) on his first day as part of the Middletown police department. The trials and training he undergoes is part of a training video, but his actions start Continue reading Review: Survival Skills — Fantasia Festival 2020
Continuing our coverage of the 2020 Fantasia International Film Festival, here are reviews of three festival selections: Hail to the Deadites, Dinner in America, and Monster Seafood Wars.
In documentary, the choice of subject can sometimes be the majority of the battle. A good documentary requires Continue reading 2020 Fantasia Festival Movie Reviews — Dinner in America, Hail to the Deadites, Monster Seafood Wars
Continuing our coverage of this year’s virtual Fantasia Festival, here are reviews of a few more titles playing at the fest: Shinichiro Ueda’s Special Actors, Ryan Kruger’s Fried Barry, and Tim Mielants’ Patrick.
Shinichiro Ueda’s follow-up to the great horror experiment One Cut of the Dead is not a horror film, but an oddball comedy about Continue reading Fantasia Festival 2020 Movie Reviews — Special Actors, Fried Barry, Patrick
Lapsis is screening as part of the 2020 Fantasia Festival program.
The science fiction world of Lapsis is much like our current reality. The major alteration comes in the form of “Quantum” technology, and, as with any technological innovation, some are hesitant to adapt. Such is the case with Ray (Dean Imperial), who finally folds to the pressures for the sake of his ill brother. He purchases a “Quantic 7” computer and takes a job working for a Quantum cabling company, CBLR. Quantum tech is fueled by cables which are manually laid and attached to magnetic cubes.
Ray is given the materials needed to cable through somewhat illicit means, and the previous owner was Continue reading Review: Lapsis — Fantasia Festival 2020
Crazy Samurai Musashi takes about five minutes to establish its exceedingly simple premise: the Yoshioka clan must dispatch their entire army if they hope to vanquish the man they set out to kill, Miyamoto Musashi (Tak Sakaguchi). Then, the film commits to a 77-minute single take action sequence, in which Musashi does away with hundreds of swordsmen.
You can see plenty of seams in the staging of this long sequence which point to Continue reading Review: Crazy Samurai Musashi — Fantasia Festival 2020
Matt Furie is a soft-spoken cartoonist living in San Francisco with his wife and daughter. Mild mannered to a fault, Furie immediately smacks of a conflict-adverse, peace-keeping man. He almost certainly had no idea what 4Chan, the online collection of volatile chat boards, was. Then, the site’s users co-opted his most famous cartoon image: Pepe the Frog.
Arthur Jones’ Feels Good Man traces the evolution of Pepe the Frog, a character Furie used in his comic strip “Boy’s Club” that was transformed into an incredibly popular Continue reading Review: Feels Good Man — Fantasia Festival 2020
