A few months back I wrote an article pertaining to the cliches of the horror genre and how these cliches could possibly be subverted in order to make a refreshingly unique horror film. It was something I wrote on a whim while thinking about screenwriting, and it is more light in an attempt to be humorous than it is indicting or inquisitive.
With the upcoming release of The Blair Witch Project reboot, I find it pertinent to revisit the classic horror film and how its innovation was at the same time historic and sadly prophetic.
1999’s The Blair Witch Project has, since its inception, been the origin of a deeply passionate debate. The question is simple: Is the film Continue reading The Blair Witch Effect, Reboot Culture, and the Question of Quality Horror