German indie horror flick UFO begins in true Blair Witch fashion, with a young group of students filming a documentary. Coming from a film student who is learning similar production techniques, I can appreciate these opening shots. One person holds up a plastic card to gauge the white balance while another assesses the costuming of the subject of the interview while another asks for a sound level check.
As the group prepares and begins the interview of two workers at a zoo, the animals start going crazy over what appears to be a comet falling out of the sky. The film crew makes the democratic decision to ditch their zoo documentary in order to chase the fallen space object.
Even with the knowledge of the film being a found footage “student” film in the footsteps of The Blair Witch Project (itself receiving the reboot/sequel treatment earlier this year), UFO does not Continue reading UFO: It is Here (2016) Movie Review
Blair Witch chronicles the “documentary footage” of a college student and his friends as they search through the mythic Black Hills Forest for his sister Heather Donahue, who disappeared in the woods years earlier.
From the onset, Blair Witch follows the beats of its predecessor, the surprise 1999 hit The Blair Witch Project, as if the studio and creative team believed that the audience this film is marketed toward has never seen the original film. This, or they Continue reading Blair Witch (2016) Movie Review
A few months back I wrote an article pertaining to the cliches of the horror genre and how these cliches could possibly be subverted in order to make a refreshingly unique horror film. It was something I wrote on a whim while thinking about screenwriting, and it is more light in an attempt to be humorous than it is indicting or inquisitive.
With the upcoming release of The Blair Witch Project reboot, I find it pertinent to revisit the classic horror film and how its innovation was at the same time historic and sadly prophetic.
1999’s The Blair Witch Project has, since its inception, been the origin of a deeply passionate debate. The question is simple: Is the film Continue reading The Blair Witch Effect, Reboot Culture, and the Question of Quality Horror