Following the huge success of Gore Verbinski’s The Ring in 2002, The J-horror franchise Ju-on was remade in the United States as The Grudge in 2004. It was also a success. In the first weekend of 2020, another remake of Ju-on appeared in theaters to little fanfare. To Sony, it seemed like a good idea. The time gap is big enough. The January market is (while a notorious dumping ground) not a moneyless area for horror.
And the premise of Ju-on, like any good myth, is worth retelling. The concept of a house whose primary tenant is a spiritual curse is (while by no means wholly original) intriguing. The story moves from Continue reading The Grudge (2020) Movie Review→
I have to admit: I can’t remember a whole lot about The Gallows, the micro-budget horror film from 2015 that found a massive ROI despite strong negative reaction from audiences and critics. What I do remember is being unimpressed. But the film was financially impressive enough, shoring up almost $43 million on a reportedly $100,000 budget. Certainly enough to warrant the greenlight for a sequel.
Jack Henry Robbins’ VHYes begins straightforward enough. On Christmas morning, 1987, young Ralph (Mason McNulty)—he can’t be older than 13—is gifted a VHS camcorder by his parents (Christian Drerup and Jake Head). With this gift, the film buzzes to life, as Ralph finishes scrambling to find a tape on which to record—his father asks if the tape is blank, and the footage promptly cuts to the answer: Ralph is recording over his parents’ wedding footage.
Ralph learns that he can use his new toy to directly record programs off of the television set, prompting him and his friend Josh (Rahm Braslaw) to spend holiday season late nights banking these various programs. As we are housed explicitly within the world of this tape, this television footage becomes an increasingly Continue reading Review: VHYes – Fantastic Fest 2019→
Abby (Brea Grant) and Hank (Jeremy Gardner, who also writes and co-directs) make a rather cute couple. They nestle against each other and joke about “Peanut Noir” (to be clear, it is a wine made on a peanut farm, not a wine made with peanuts as an ingredient). They razz each other as they slowly get drunk. But their relationship is on the rocks. We know this because Abby spontaneously leaves their rural abode for Miami, leaving Hank with only a note as an explanation.
Also, every subsequent night following her exit, an unseen monster barrels itself against Hank’s door, mentally terrorizing him. So there’s that.
If Andy Muschietti’s 2017 It was little more than a funhouse of jerky, startling set pieces loosely strung into a narrative, then his It: Chapter Two aims to up the ante in the manner only a blockbuster sequel can. And that includes inserting a literal funhouse.
In the previous installment, the Losers Club, comprised of Bev (Sophia Lillis), Ben (Jeremy Ray Taylor), Bill (Jaeden Martell), Ritchie (Finn Wolfhard), Eddie (Jack Dylan Grazer), Mike (Chosen Jacobs), and Stanley (Wyatt Oleff), were able to Continue reading It: Chapter Two (2019) Movie Review→
I imagine the pitch to Fox Searchlight for the new horror comedy Ready or Not started somewhere along the lines of that. Writers Guy Busick and Ryan Murphy may have thrown in some talk of a satire of the 1%, a bloody R-rated horror film with potential mainstream appeal, crossbows, and/or a board game-based “dominion.”
Busick and Murphy’s script begins with a wedding. But there isn’t a lot of champagne and doves at this wedding. Looming under the shadow of the Le Domas mansion, Grace (Samara Weaving) and Alex (Mark O’Brien) are Continue reading Ready or Not (2019) Movie Review→