In 1975, Steven Spielberg’s Jaws changed the way people viewed sharks. Seemingly, he changed that perception forever, as every so often a movie like 47 Meters Down comes out to remind us just how bloodthirsty these giant sea monsters can be.
In the 1930s and the 1940s, Universal made a name for itself creating monster movies. Dracula, Frankenstein, and The Wolfman, among others, were hugely popular intellectual properties in Hollywood. They made household names of Bela Lugosi and Boris Karloff. They were undoubtedly iconic films.
It Comes At Night is a terse family drama disguising itself as a horror film. Still, it remains the scariest filmgoing experience of 2017 thus far.
The film takes place in an idyllic cabin hideaway in the woods. It is the sort of place that you would run off to on a lazy Summer weekend. But this house also has wood boarding up its windows. It has a pair of doors—one prominently red—locking itself off from the outside world.
Raw is a beautiful, disgusting mess. And it’s fantastic.
In the prestigious veterinary school newly attended by Justine (Garance Marillier), hazing is tradition. Midnight dorm raids. Mandatory partying. Buckets of blood dumped Carrie-style. Eating raw rabbit kidneys.
Melanie (Sennia Nanua) is confined to a cell. She must strap herself in to a wheelchair at gunpoint before she can leave it. She is kept under close, militaristic watch. She is dangerous. And she is also a child.
Alien was set against the backdrop of corporate struggles between white collar and blue collar. Aliens: on the backdrop of ragtag soldiers not understanding the gravity of their situation; an extended metaphor for Vietnam, if you will. Alien 3, although flawed for it, is about religious persecution by way of prison purgatory.
Alien: Covenant? It is set on the backdrop of ironic lost love. Thanks, Hollywood.
In preparation for the May release of Alien: Covenant (Dir. Ridley Scott), CineFiles is looking back at the decades-spanning horror sci-fi franchise. In this installment, we look at the ill-received Aliens vs. Predator: Requiem, the second film to pair the two horror monster heavyweights.