A few months back I wrote an article pertaining to the cliches of the horror genre and how these cliches could possibly be subverted in order to make a refreshingly unique horror film. It was something I wrote on a whim while thinking about screenwriting, and it is more light in an attempt to be humorous than it is indicting or inquisitive.
With the upcoming release of The Blair Witch Project reboot, I find it pertinent to revisit the classic horror film and how its innovation was at the same time historic and sadly prophetic.
1999’s The Blair Witch Project has, since its inception, been the origin of a deeply passionate debate. The question is simple: Is the film Continue reading The Blair Witch Effect, Reboot Culture, and the Question of Quality Horror
The cell phones don’t work. Maybe the service is out in these abandoned backwoods, or swamp, or desert, or rural town. If they do, the police sure are incompetent. Or get murdered feet from their car, in front of everyone inside the cabin in the woods, or placid lake with one lone raft in the center that will surely come back later, or house at the end of the street, or the last house on the left, or the isolated graveyard. Also, they always insist on coming alone. Screaming people on the other line doesn’t prompt at least one car of backup. Never. It’s a sin.
And how about them character archetypes. The Whore. An incessant one-track mind locked on to phallic obsession and Continue reading Horror Cliches and How to Fix Them
Note: This is an in-depth analysis of the film The Cabin in the Woods. As such, it is heavily-laden with spoilers. Proceed with caution. If you want to watch The Cabin in the Woods, you can find it on Amazon Video to rent and buy here.
The 2012 film from Joss Whedon and Drew Goddard, The Cabin in the Woods, presents an original take on an old favorite. The film on its face, and by its title, is just another teen horror romp, but this “cabin in the woods” narrative is more than meets the eye, as the film quickly progresses down the path of a strange mythology.
In approaching the conventional horror movie narrative with a unique take, Goddard and Whedon use their pen to turn Continue reading The Cabin in the Woods: Cliches Manipulated or Perpetuated?