It is round two of reviews for the Oscar-nominated Live Action Short Film category. In this edition, we look at Ivalu and Night Ride. Previously, we looked at The Red Suitcase and An Irish Goodbye.
“My sister…my blood.” Anders Walters’ Ivalu follows Pipaluk (Mila Heilmann Kreutzman), who wakes up one morning to find Continue reading 2023 Oscar Nominated Live Action Short Film Reviews: Ivalu and Night Ride
After taking a break from covering the Academy Award nominees for Best Live Action Short Film, I am returning to the fold to shed some light on these under-seen gems (they are gems more often than not, at least). The nominees this year cover a broad geographical range, with films from Ireland, Iran by way of Luxemborg, Norway, Italy, and Denmark. For now, let’s focus on the first two and take a look at An Irish Goodbye and The Red Suitcase.
An Irish Goodbye
Lorcan (James Martin) and Turlough (Seamus O’Hara), two brothers who don’t get along, reunite following the death of Continue reading 2023 Oscars Best Live Action Short Film Reviews: The Red Suitcase, An Irish Goodbye
With the Academy Award nominations releasing earlier today, it is ample time for me to play some catch-up. As always, there are 15 short films nominated across three categories, and it is inevitable that people will look at these titles and squint a little. These films hardly receive any buzz, particularly compared to the heavy hitter feature contenders, and they usually end up getting short shrift as a result.
Often enough, though, there are more than a few short films that make the grade and which are Continue reading 2023 Oscars Best Animated Short Film Reviews: My Year of Dicks, Ice Merchants, The Flying Sailor
Earlier this week, I put out some admittedly half-hearted Oscar predictions. I have not had my ear to the ground this awards season, but I did want to address the Best Picture race once more. (Mainly, I wanted to give some credit where it was due to CODA for being this year’s awards season darling. But more on that later). I think there are more shades to uncover than my original prediction took into account.
As such, I want to briefly rank the Best Picture nominees, from least likely to most likely to win.
10. Don’t Look Up
Netflix and Adam McKay’s Don’t Look Up doesn’t have strong legs to stand on. Released to decidedly mixed reception from fans and critics alike, and still looking for Continue reading 2022 Academy Awards — Best Picture Nominee Power Rankings
Never before have I been less tuned-in to the Academy Awards. For many years, I have written in-depth coverage of the Oscars, including predictions for nominees and winners in every category. This year, I have been more invested in what teams will make the NCAA March Madness Tournament than what movies will be nominated for Oscars.
With that in mind, I do have some thoughts about the movies involved in this year’s contest. I have thoughts about who is in the races, I have some opinions on who didn’t make the cut, and I even have some (half-researched) predictions.
Here are my picks as of today (which may or may not end up on my final ballot come Oscar Sunday).
- Don’t Look Up
- Drive My Car
- King Richard
- Licorice Pizza
- Nightmare Pizza
- The Power of the Dog
- West Side Story
We have a full slate of Best Picture nominees this year (most of which are pretty solid flicks). The Power of the Dog is the Continue reading 2022 Academy Awards Predictions
The thing about Academy Award acting categories is that, while they are often some of the most high profile awards of the night, they are also some of the least exciting from a prediction standpoint. Of all categories, the acting categories are usually locked up long before the ceremony begins. In recent history in particular, the same acting nominees usually steamroll through awards season, winning every award leading up to the Oscars. Of course, there is always room for upset. But even so, entering the Oscars it is generally fairly clear who the top one or two contenders are.
This year’s Best Actor category is a little strange for reasons that are bittersweet.
You might think that this category is all wrapped up now that the Golden Globes have happened. But the Globes are not the be-all end-all predictor of the Oscars. This is particularly true in acting categories, where the campaigning to the Globes’ HFPA looks much different than it does for the Academy. Each year, there seems to be at least one off-the-beaten-path choice by the Globes in the acting categories. And this year, that left-field win appears to be from the Best Actress category.
Some people like to talk about “category fraud” in the acting categories. It is generally a fairly semantic debate. Is Lakeith Stanfield the lead of Judas and the Black Messiah? Why, then, is he nominated with Daniel Kaluuya in Supporting? Does that mean there is no lead actor in the film?
But it’s just a matter of campaigning. In general, it is easier to get your film’s actor nominated in a supporting category than it is the lead category. In ensemble films, it is fairly easy to make the argument that anyone is a supporting performance, just based on screentime and/or billing. I’d put Stanfield in the lead category, but I’m also just happy to see him nominated. He and Kaluuya both are two of the best actors working today.