Check back over the course of the night to see who and what won in each category. Where applicable, green text denotes links to full reviews of the films. Bold denotes the winner in the category.
Best Motion Picture
Continue reading Oscars 2017: The Winners →
The Directors Guild Awards (DGAs) are this Saturday, February 4. Ignoring television, as I do not watch it, there are three film categories that could act as precursors to the Academy Awards.
Surprisingly, Ava DuVernay did not receive a nomination in the documentary category for 13th. Without this competition, there is no feasible scenario where Continue reading What to Expect From the Directors Guild Awards 2017 →
Production Design is great. It is necessary. Without it a film would be like Neil Breen taping garbage bags up in his garage as a set. But it is also not an easy Oscar category to predict.
Best Production Design:
Continue reading Academy Awards Predictions 2017 – Best Production Design →
All right, Best Makeup & Hairstyling. It’s only three movies, you can’t screw up. Come on, Alex! It’s just haircuts! You can judge haircuts!
Ahem, sorry. I didn’t realize you had…clicked through already.
The Academy Award for Best Makeup & Hairstyling is…ah man now I’ve lost my train of thought. Let’s see…there’s that Swedish movie. I think there’s some old-age makeup in that one. The guy wears a hat most of the movie…does he even have hair? Star Trek is aliens…now is that makeup or CGI? Chris Pine has nice hair…Suicide Squad…they’re all painted white like clowns…her hair’s kind of rainbow…
Best Makeup & Hairstyling:
Continue reading Academy Awards Predictions 2017 – Best Makeup & Hairstyling →
Visual effects, for some films, are pivotal. They make or break the film’s success. When effects are being honored by the Academy or elsewhere, it is often because the film’s either push the boundaries of the form, exemplify a careful precision to the craft, or utilize the vfx form to create immersive dynamic worlds that don’t exist in reality.
In regards to 2017, we have five films that all do at least one of these things very well. But I think there is one film that does all three…
Best Visual Effects:
Continue reading Academy Awards Predictions 2017 – Best Visual Effects →
It is perhaps serendipitous that the second anniversary of the CineFiles website coincides with the Christmas of film nerds: the announcement day for the Academy Awards nominations. This is also, quite coincidentally, the site’s 500th post.
It is only fair then that I do my best to roll out predictions for who or what will win in every category.
Below are links to articles on who will win in each category.
Continue reading 2017 Academy Awards Predictions – All 24 Categories →
The Academy Award sound categories are always very interesting. Where many of the other Oscar categories share many films, Best Sound Mixing and Best Sound Design allow for other films to get some Oscar love.
This year is no different (although, the major films are still more likely to win).
Best Sound Mixing:
Continue reading Academy Awards Predictions 2017 – Best Sound Mixing & Best Sound Editing →
Certain Academy Award categories are hard to predict simply because each use of the given film technique can be so different. Best Original Score is one of these categories in my mind. A sonic complement to a film can be so unique to the experience of a given film that it is hard to compare that score to scores of other films. It is a qualitative comparison that can be quite difficult in Oscar predicting.
Luckily, this year’s Academy Awards has a strong musical.
Best Original Score:
Continue reading Academy Awards Predictions 2017 – Best Original Score →