The found footage horror film The Houses October Built begins with documentary archival footage and inter-titles that describe how dangerous haunted house attractions can be.
This intro is appropriate, given that the film is a restructuring of a 2011 documentary film by the same filmmakers. It is seemingly impossible to find a copy of this documentary, so one can only assume that Continue reading The Houses October Built (2014) Movie Review →
At the world premiere of Morgan Spurlock’s latest documentary—a sequel to Super Size Me, the film that put him on the map—Spurlock dialed the PR knob to 11 by providing the audience with a free meal from his new restaurant venture “Holy Chicken.”
The food truck outside of the venue served fried chicken sandwiches that looked somewhat grotesque and felt slimy to the touch. There were side choices that included fried green beans, which the charming young woman behind the counter referred to affectionately as simply “greens.” They offered soda and water (the water was dubbed “Holy Water,” perhaps because it was the closest thing to a healthy option on the menu).
Why would the man who injured his body by eating McDonald’s for 30 days straight decide to open a fast food chain? Could it be a statement on Continue reading Super Size Me 2: Holy Chicken (2017) Movie Review (TIFF 2017) →
In archive footage, we see at the beginning of I Am Not Your Negro an interview with the subject of the documentary: writer James Baldwin. The interviewer, when addressing with Baldwin the plight of the black man in American during the height of the Civil Rights Movement, he says “Is it at once getting better and still hopeless?” To which Baldwin responds, quite simply, that there is no hope to it.
I Am Not Your Negro is a literary chronicle set to motion through photographs, film clips, and sweeping landscape shots. The raw power of Baldwin’s words is something Continue reading I Am Not Your Negro (2017) Movie Review →