“How long can you live with memories?”
This is one of the first lines of Joe’s Violin, coming from the eponymous Joseph Feingold. It is an expression of his carefree attitude about donating one of his most prized possessions: a violin. What Joe’s Violin aims to do, however, is supplant that throwaway notion with the creation of new memories.
Joe’s story is one of Holocaust tragedy. At the age of 17, in eastern Poland, Feingold was taken by the Russians and put into a Siberian labor camp. Of the few things he had after his time in the camp his violin becomes, in retrospect, a Continue reading Joe’s Violin (2016) Short Film Review









