Category Archives: Like It

Movies I liked but likely won’t watch again. Something was off that I wish had been done differently.

Home Bodies — Fantasia Festival 2026 Movie Review

Home Bodies is screening as part of the 2026 Fantasia International Film Festival.


In Home Bodies, directed by Casey Walker from a script by Marcus Sullivan and Adrian Murray, two children live alone in a small, two-story home that simply doesn’t look right. Dark, cavernous hallways have an industrial quality to their architecture. The appliances in the kitchen, or “food room,” as the kids call it, are out-dated, yet they produce hot food instantly. The children watch VHS tapes that re-run episodes of a single, low-budget children’s television show set on a farm. If things don’t read as peculiar by this point, the children speaking to a disembodied voice anthropomorphized in the form of a pulsing white light, a voice they refer to as “Father,” leaves no room for debate. These siblings are being held hostage in some sort of psychological experiment.

On premise, Home Bodies is very Twilight Zone slash Black Mirror adjacent. It has one central, fantastical sci-fi concept that it rides for 95 minutes. The answers to its questions Continue reading Home Bodies — Fantasia Festival 2026 Movie Review

Sicko — Fantasia Festival 2026 Movie Review

Sicko is screening as part of the 2026 Fantasia International Film Festival.


“New day. New opportunities.”

These words open Sicko. It is something of a tagline for Aitore Zholdaskali’s film, in that what the viewer finds as they step into the world of the two central characters—the married couple Azamat (Ayan Utepbergen) and Tansholpan (Dilnaz Kurmangali)—is a rapidly warping sense of what the word “opportunity” means.

Another keyword here could be “desperation,” as the two characters find themselves in desperate need of money. Aza, a ride-share driver, crashes his car the same day Tancho finds out that she is unexpectedly pregnant. In order to keep the baby, pay off Aza’s debts, and continue affording basic necessities, they need to find cash somewhere. Unfortunately, this comes in the form of a knee-jerk lie that Aza tells to ward off his mother (one of the multiple individuals to whom he owes money). Aza lies to his family about Tancho’s health, claiming she has stage 3 cancer. Tancho goes along with the lie, and the two concoct a social media campaign to raise funds for her (nonexistent) cancer treatment.

Sicko’s is a story that would be diabolical if it weren’t for the characters involved in the creation of the grift. And without spoiling anything, diabolical things ultimately occur. At first, however, Continue reading Sicko — Fantasia Festival 2026 Movie Review

After School (Straf) — Fantasia Festival 2026 Movie Review

After School is screening as part of the 2026 Fantasia International Film Festival.


“We’re men, but we also have a little boy inside of us … a little baby inside.”

After School is something of a comedy of errors, in which the prime error is leaning into all the wrong ideas about masculinity. It is not a satire, per se, but its characters present as exaggerated versions of what the “manosphere’ produces and invites. Edwin (Rutger de Bekker) is a schoolteacher who has no control over his classroom. This is a metaphor for his life in general. His coworkers mostly step over him. His wife left him for a shaman peddling hallucinatory drugs. His daughter is embarrassed of him. His students have made him an internet lolcow, posting classroom pranks to the point where his viral status causes him to lose a promotion. He is the perfect candidate for a midlife identity crisis.

When alcohol, boxing, and male camaraderie combine, Edwin is inspired to stand up for himself in the classroom. The next time his students prank him Continue reading After School (Straf) — Fantasia Festival 2026 Movie Review

You Are the Film — Fantasia Festival 2026 Movie Review

You Are the Film is screening as part of the 2026 Fantasia International Film Festival.


Madoka (Marika Ito) is going to see a film. It is not a popular title, and it is playing at a tiny theater attended by no one but herself. But it is a film shot locally, so she decides to give it a try. In the film, Kazuma (Kai Inowaki) is going to see a film. What he sees on that cinema screen is Madoka. Madoka is a playwright for a small theatre troupe, Kazuma is the frontman of a fledgling rock band that’s going nowhere. Their lives not only share similarities, but they are seemingly operating in direct parallel—a parallel they are able to physically see through the apparatus of the cinema screen. They see each other through the screen and can communicate to one another, and both want the other to leave the theater so something interesting can happen in their respective film.

Madoka, upset to hear from the synopsis of the “film” in which she is starring that some of her actors want to drop out of her new production, is the first to leave the auditorium. Kazuma watches as, Continue reading You Are the Film — Fantasia Festival 2026 Movie Review

Dance Freak — Fantasia Festival 2026 Movie Review

Dance Freak is screening as part of the 2026 Fantasia International Film Festival.


Obie (Robbie Rackleff) wants to build a birdhouse in his birdhouse-building class. Obie’s girlfriend Dorty (Megan Koester), who’s a popular candidate in the mayoral race, just dumped him. The Salad Boys (Allen Cordell, Adam Enders, Sarah Sherman) recently force-fed Obie a concerning amount of salad. Obie has been told that a man dancing freakily out in the parking lot—a Dance Freak, if you will—has made himself “available” to Obie. Obie is being investigated for murder.

Thus is Dance Freak, the debut feature film from Alan Resnick and Robbie Rackleff. It is a surrealist comedy with horrific undertones, although these descriptors do little to describe the feeling and atmosphere of the film.

Rackleff (who also writes and stars) and Resnick were previously members of the Baltimore-based arts collective known as Wham City. Resnick is perhaps best known for Continue reading Dance Freak — Fantasia Festival 2026 Movie Review

Faces of Death (2026) Movie Review

Have you watched Faces of Death, the cult VHS tape from the late-1970s that purported to show real-life deaths?

This is what I want to ask all of gen Z. I imagine my follow-up question would inevitably be: Have you heard of Faces of Death? We surveyed 100 people, and the top answer on the board is:”Huh?” Survey says, at number two, “I guess, kinda.”

The notion of invoking the IP of Faces of Death in the 2020s immediately intrigued and confused me (I say “invoke,” because this isn’t a remake). As a millennial, the tape existed for me only ever as a curious object from the past, not a scandalous object but a thing to check off the “what’s the most fucked up movie I can watch in my teens” list. Trying to reinvigorate the mythic, video nasty allure of it for the internet generation feels odd, because Faces of Death (1978) feels tame by today’s standards of exposure to violence.

Luckily, this is the exact angle that director Daniel Goldhaber and his scripting collaborator Isa Mazzei take when re-contextualizing the film for the present day. In the world of Faces of Death (2026), Continue reading Faces of Death (2026) Movie Review

Project Hail Mary (2026) Movie Review

We’ve heard it all before. The isolated, industrious, possibly roguish single man left to his own devices in the depths of space. It’s a familiar tale. Author Andy Weir himself has already strung a similar yarn before this one, with the potato farming celestial castaway of The Martian (who would later be portrayed by Matt Damon in Ridley Scott’s 2015 adaptation). Project Hail Mary has a premise that shares a resemblance, but the end results are far different (and, I would argue, more compelling).

In this iteration, our stranded hero is Ryland Grace (Ryan Gosling), a loner middle school science teacher whose controversial PhD dissertation and academic antics got him blacklisted from the scientific community. Luckily for Grace, his theory that water is not necessary for life lands him a spot on the global team that is working desperately to stop a mysterious molecular life form, dubbed Astrophage, from Continue reading Project Hail Mary (2026) Movie Review

Review: Lurker — Fantasia Festival 2025

Lurker had its Canadian premiere on Aug 1 as part of the Fantasia International Film Festival.

Alex Russell’s debut film Lurker is about obsession. It is in one sense about the parasocial relationships fostered by celebrity, but more accurately it is about the mind of a person who manipulates the world around him in order to embed himself within one celebrity’s orbit. It is a film about a sociopath, essentially.

Matthew (Theodore Pellerin), this sociopathic personality, works at a clothing store occasionally patroned by an up-and-coming musician named Oliver (Archie Madekwe). Matthew plays a song over the speaker that is calculated to get Oliver’s attention. When he gets it, he pretends to have never heard of Oliver’s music. He, of course, has heard it. In fact, he relentlessly stalks Oliver’s social media to gain Continue reading Review: Lurker — Fantasia Festival 2025

Review: OBEX — Fantasia Festival 2025

OBEX had its Canadian premiere on July 29 as part of the Fantasia International Film Festival.

It’s 1987. “Computer” Conor (Albert Birney, who also directs) spends his morning talking lovingly to his dog Sandy and watching the news on one of the three television sets stacked in a row in the middle of his living room. He works from home, rapidly typing out on his Macintosh computer digital recreations of photographs that people send to him. His neighbor Mary (Callie Hernandez) arrives weekly to check up on him and bring him groceries, but he never opens the door.

While thumbing through a computer hobbyist catalogue, Conor stumbles upon a mysterious ad for a video game called “OBEX.” Not only is it a game, but it is Continue reading Review: OBEX — Fantasia Festival 2025

Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing

Lucid and Every Heavy Thing had their world premieres on July 21 as part of the Fantasia International Film Festival.

Lucid

Mia (Caitlin Taylor) is an art student without inspiration. When she screws up her self-portrait, she nails a dead fish to it at the last minute and hurries to the studio. Her instructor and most of her classmates are unimpressed. Desperate for Continue reading Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing