The Princess (Lydia Wilson) has been kidnapped. Held for ransom. For Prime Minister Michael Callow (Rory Kinnear), the only way to save her: have “full unsimulated sexual intercourse with a pig” on live television.
Thus is our introduction to the callous, cruel universe of Black Mirror, the anthology drama series that takes aim at
Continue reading Black Mirror: The National Anthem (2011) Television Review →
A seeming momma’s boy with blunt high standards and commitment issues (Kieran Culkin), two dopey lackeys with differing levels of alcohol intake (Kevin Corrigan and Martin Starr), and a take-no-prisoners, fast-talking white collar type (Nick Offerman). In short, a bunch of cold, insensitive pricks.
Thus is the cast of characters initially established in Infinity Baby. They all work at different rungs of the ladder for the eponymous company, whose aim is to get rid of thousands of babies who never age. A botched stem cell experiment, compliments of Mitsubishi.
The film fully acknowledges the laundry list of flaws that this infinity baby premise presents. In fact, it Continue reading Infinity Baby (2017) Movie Review →
Christopher Guest has made a career out of droll, talking-head mockumentary films that satirize naive, self-centered hopefuls in one career or another. While the formula has certainly worked for Guest in the past, there is a precipitous threshold over which the deadpan ensemble piece becomes reductive.
Mascots is Best in Show with people in costumes. The ensemble of eccentric sports mascots travel to the annual mascot competition to compete for the Golden Fluffy award. Many of Guest’s go-to players return: Continue reading Mascots (2016) Movie Review →
Note: This is an in-depth analysis of the film The Cabin in the Woods. As such, it is heavily-laden with spoilers. Proceed with caution. If you want to watch The Cabin in the Woods, you can find it on Amazon Video to rent and buy here.
The 2012 film from Joss Whedon and Drew Goddard, The Cabin in the Woods, presents an original take on an old favorite. The film on its face, and by its title, is just another teen horror romp, but this “cabin in the woods” narrative is more than meets the eye, as the film quickly progresses down the path of a strange mythology.
In approaching the conventional horror movie narrative with a unique take, Goddard and Whedon use their pen to turn Continue reading The Cabin in the Woods: Cliches Manipulated or Perpetuated? →
In Hail Caesar!, the latest from the Coen Brothers, Baird Whitlock (George Clooney) is an actor during the Golden Age of Hollywood. He is introduced on-screen in a meta framing—a screening within a screening—portraying a Roman leader in a historical epic a la Spartacus. During filming of this movie, Whitlock is drugged and kidnapped.
Hail Caesar! is the Coen Brothers’ love letter to classical Hollywood cinema. The standard genres of the period are represented: Westerns, historical epics, Broadway musical adaptations, bourgeois romance, etc.
The structural issue of this love letter is that Continue reading Hail Caesar! (2016) Movie Review →
Kung Fury is a 30 minute, throwback spectacle of an action comedy. It is epic in its absurdity. A Miami cop (David Sandberg), after witnessing the death of his partner, who he claims is like a father to him, becomes a kung-fu master after he is struck by lightning and bitten by a cobra. He then must travel back in time to assassinate Hitler after the Fuhrer guns down the police chief.
Sandberg plays the cop gruff and merciless in the best over-the-top way. He is the ultimate lone wolf, speaking only in gruff whispers. It works perfectly with the parodical nature of the film.
Continue reading [Quickie] See This Movie: Kung Fury (2015) →