“The bourgeoisie has never hesitated to kill its children”

As drenched in infamy as it is, Pier Paolo Pasolini’s final film Salo remains a dedicated feature of film criticism, with articles written to this day about the film’s place in the canon of cinema.

Quite possibly the most debauched film in history, Salo, or the 120 Days of Sodom, is a narrative of Continue reading Salo or the 120 Days of Sodom (1975) Movie Review →