Pier Paolo Pasolini’s film The Hawks and the Sparrows begins in one of the most extravagant and astounding ways possible: with the opening credits being song triumphantly by singer Domenico Modugno. The film is a religio-political comedy, but this opening song sets it up, quite tongue-in-cheek, as a travel epic.
The film follows a father (played by famed clown Toto) and his son (Ninetto Davoli), who are laborers on their family farm. The film immediately feels like a sibling film to Pasolini’s Accattone, as both contemplate Continue reading The Hawks and the Sparrows (1966) Movie Review
“The bourgeoisie has never hesitated to kill its children”
As drenched in infamy as it is, Pier Paolo Pasolini’s final film Salo remains a dedicated feature of film criticism, with articles written to this day about the film’s place in the canon of cinema.
Quite possibly the most debauched film in history, Salo, or the 120 Days of Sodom, is a narrative of Continue reading Salo or the 120 Days of Sodom (1975) Movie Review
In film, a score is the mood. It is the suspense in a horror or thriller. It is the lightness of a feel-good period piece. It is the driving pulse of a drama.
The category of Best Original Score is always hard to narrow down. Similar names pop up through the years, but that doesn’t mean these usual suspects have an upper hand on any given award season. Following trends in other award shows is usually the best way to see who is going to win the Academy Award.
This year, there is a clear favorite, and his chances have been raised by Continue reading 2016 Academy Awards Predictions – Original Score