About 10 minutes into A Star is Born—that is to say, the 2018 Bradley Cooper-directed A Star is Born—country rock superstar Jackson Maine (Cooper) explains to his love-at-first-sight (and soon to be muse) date Ally (Lady Gaga) something very important. Drunk, but conjuring up a moment of lucidity, he points around at the patrons of the bar. “Everyone in this bar is talented at one thing or another,” he says. But Ally. Ally has something to say. And that means something. That’s bigger than just being talented.
Ethan Hawke’s debut as director comes in the form of a biopic of country-blues musician Blaze Foley. According to Rolling Stone, Michael David Fuller aka “Depty Dog” aka Blaze Foley was a “quintessential American artist before such a thing existed.” He didn’t want to be a star, because stars burn out shining for themselves. No, he was going to be a legend.
Lizzie Borden was a notorious figure. She was a news sensation long before the 24-hour news cycle was a germ in Ted Turner’s head. In 1892, Borden’s parents were murdered with an ax, and she was the prime suspect. It was a big deal. I mean, you know you’ve struck a cultural nerve when children skip rope to rhymes of your homicidal exploits.
Congratulations, Lizzie. You made it. They even made a movie dramatizing your life. Again.
Craig William Macneill’s version of events in Lizzie is intended as a pot-boiler, tension simmering amid a terse domestic drama that boils over rapidly in the climax. On both accounts—simmering and boiling—things feel Continue reading Lizzie (2018) Movie Review→
The Wife is written by Jane Anderson, based off the novel of the same name by Meg Wolitzer. It is written with superb eloquence. It stars Glenn Close as the eponymous wife, Joan Castleman, whose husband Joseph (Jonathan Pryce) has just won the Nobel Prize in literature, although it becomes clear that Joe is not quite deserving of the award. Close presents us with an Oscar-worthy performance whose understatement is matched only by the brief flashes of ferocity.
A Simple Favor is a mystery film with a sleek aesthetic and a windy plot saturated with plot twists that charge forward to a cat-on-mouse-on-mouse game of a final act. With Paul Feig behind the wheel, it cannot help but also be a riotously overt dark comedy with full on laugh lines punctuating most moments of purported tension. It is a film that aims to be both thrilling and funny, which turns out to not be entirely either.
And I kinda like it…
A Simple Favor is a film that revels in its sheer messiness, like a child who spills his milk with a smile on his face just to get attention. The plot begins fairly simply. Stephanie Smothers (Anna Kendrick) is Continue reading A Simple Favor (2018) Movie Review→
“In 1980s Detroit, Ricky Wershe Jr. was a Street Hustler, FBI Informant and Drug Kingpin—all before he turned 16,” boasts the poster for White Boy Rick, the true-crime drama courtesy of director Yann Demange and Matthew McConaughey’s hair. Because if any actor could use a mullet for its full creative potential…
A political nomination, triplets on the way, a terminal diagnosis, a constantly chiming cell phone, and a pistol. These are the nodes determining the tizzy that is The Party, a black-and-white dark comedy from Sally Potter.
Janet (Kristin Scott Thomas) has just received a new position within the opposition party. To celebrate, she hosts a small get together with friends.