Casino Royale is the first of two films to adapt Ian Fleming’s character James Bond under a production company other than EON Productions. The film is a spoof of the genre that its lead character helped to popularize. In it, Bond (David Niven) is long retired, and is approached by an international array of spy organization leaders–including John Huston as Fleming’s MI6 head M–who attempt to goad him out of retirement.
All the while, global terrorist organization SMERSH vie to ruin Bond. The shadowy leader of the organization states boldly that “Sir James Bond is back with his morals, his vows, and his celibate image. We must destroy that image.” This, a direct attack at Continue reading Casino Royale (1967) Movie Review
1962’s Dr. No is the first adaptation of Ian Fleming’s work, bringing to the screen his iconic super spy character James Bond. The first time we see Bond (Sean Connery) in this film, the stage is already set for Connery to set the precedent for how the spy is meant to look and act on screen. He puffs casually at a cigarette as he gambles and flirts with his female competitor (Eunice Gayson). His look is suave, his mannerisms subtle and laid back. Connery immediately embodies Fleming’s sharp-witted and womanizing Bond.
The film is littered with retrospective moments in which we can see precedents being set for the franchise. The iconic score blares in right off the bat, as we stare down the barrel of a gun. This theme repeats itself many times throughout the film. Bond and M (Bernard Lee) discuss Continue reading Dr. No (1962) Movie Review