Category Archives: Comedy

I am serious…and don’t call me Shirley.

Chip ‘n Dale: Rescue Rangers (2022) Movie Review

In Chip ‘n Dale: Rescue Rangers, the new re-imagining of the ’90s cartoon IP, the eponymous rangers are washed up celebrities, has-beens of an earlier time only faintly remembered by the few fans who wax nostalgic. Mostly, though, no one has any clue who they are. Chip (John Mulaney) has retired from the spotlight and has made a good go of it as an insurance salesman. Dale (Andy Samberg), meanwhile, still clamors for the high of fame at fan conventions at a booth in “Retro Alley.”

Like most characters in the film, I have only vague recollections of Chip ‘n Dale — if anything, I have more of a memory for Continue reading Chip ‘n Dale: Rescue Rangers (2022) Movie Review

Scream (2022) Movie Review

The extra-textual more or less fuels Hollywood at this point. Intertextuality and metatextuality exists in all manner of blockbuster cinema. And this certainly bleeds through to the audiences. Even casual moviegoers have become intimately aware of the larger, interconnected puzzle that makes up the Marvel cinematic universe, enough so that Spider-Man: No Way Home is released not as some esoteric nerdcore comic book movie which only the most knowledgeable fans are able to follow. No, it is one of the most profitable films ever, regardless of pandemic concerns.

This is not to discredit audience literacy over the way Hollywood functions, of course. And the self-referential, metatextual, etc. has been around in cinema for Continue reading Scream (2022) Movie Review

Fantastic Fest 2021: The Slumber Party Massacre — Movie Review

The Slumber Party Massacre (2021) is screening as part of the 2021 Fantastic Fest.

The original The Slumber Party Massacre, written by Rita Mae Brown and directed by Amy Holden Jones, holds a special place in my heart, as it does for a number of slasher fans. The 1982 cult film was delightfully subversive, coming in the midst of the glut of slashers from the 1970s-80s

Needless to say then, that there are big shoes to fill for this remake (from my perspective, at least). This said, Continue reading Fantastic Fest 2021: The Slumber Party Massacre — Movie Review

Fantasia Festival 2021 Movie Reviews — Glasshouse, Sweetie You Won’t Believe It, The Last Thing Mary Saw

Glasshouse; The Last Thing Mary Saw; and Sweetie, You Won’t Believe It are screening as part of the 2021 Fantasia International Film Festival that runs Aug. 5 to Aug. 25.

Glasshouse

Glasshouse is an interesting take on a post-apocalyptic sci-fi thriller. It explores  Continue reading Fantasia Festival 2021 Movie Reviews — Glasshouse, Sweetie You Won’t Believe It, The Last Thing Mary Saw

Fantasia Festival 2021 Movie Reviews — Hotel Poseidon, Not Quite Dead Yet

Not Quite Dead Yet and Hotel Poseidon are screening as part of the 2021 Fantasia International Film Festival that runs Aug. 5 to Aug. 25.

Not Quite Dead Yet

In Shinji Hamasaki’s Not Quite Dead Yet, the CEO of a pharmaceutical company dies after taking an experimental drug meant to temporarily  Continue reading Fantasia Festival 2021 Movie Reviews — Hotel Poseidon, Not Quite Dead Yet

Fantasia Festival 2021 Movie Reviews — Sexual Drive, It’s a Summer Film

Sexual Drive and It’s a Summer Film! are screening as part of the 2021 Fantasia International Film Festival that runs Aug. 5 to Aug. 25.

Sexual Drive

Kôta Yoshida’s Sexual Drive is a triptych film surrounding themes of anger and lust which revolve largely around a single, lecherous figure named Kurita (Tateto Serizawa). It is hard to know Continue reading Fantasia Festival 2021 Movie Reviews — Sexual Drive, It’s a Summer Film

Review: Mother Schmuckers — Fantasia Festival 2021

“Are you stupid or what?” exclaims Zabulon (Harpo Guit) to his brother Issacher (Maxi Delmelle) about halfway into Mother Schmuckers, a crass, raucous comedy from Guit and his brother Lenny Guit. To his credit, Zabulon is quite right. Yes, they are both stupid, and yes, it is an unbearable experience watching them traipse around Brussels exhibiting their idiocy onto everyone that gets in their way for what amounts to 70 unending minutes of screentime.

The film doesn’t have a linear plot, per se. One could say it involves the brothers looking for a lost dog or fending off one of their mother’s lecherous suitors. But it is more rightly described as episodic, with each episode doubling down on the provocation of the film’s opening scene (in which the two brothers are introduced cooking human excrement and Continue reading Review: Mother Schmuckers — Fantasia Festival 2021

Fantasia Festival 2021 Movie Reviews — Alien on Stage, Frank & Zed

Alien on Stage and Frank & Zed are screening as part of the 2021 Fantasia International Film Festival that runs Aug. 5 to Aug. 25.

Alien on Stage

In Alien on Stage, Lucy Harvey and Danielle Kummer document the unlikely rise of an amateur theater troupe in Dorset whose stage adaptation of Ridley Scott’s Alien made its way from a Continue reading Fantasia Festival 2021 Movie Reviews — Alien on Stage, Frank & Zed

Review: Tiong Bahru Social Club — Fantasia Festival 2021

For his thirtieth birthday, the mother of Ah Bee (Thomas Pang) gifts him an invitation to the Tiong Bahru Social Club, a closed-off living community dedicated to providing and spreading happiness among its residents. “Everyone’s happiness is our business,” boasts the community’s advertisement. They are “the happiest neighborhood in the world.”

How do they accomplish this? They harvest data from their residents in order to control the flow of happiness, a statistic they can quantify as a percentage. A resident is not providing enough happiness to their neighbors or for themselves? Then they are Continue reading Review: Tiong Bahru Social Club — Fantasia Festival 2021

Review: Beyond the Infinite Two Minutes — Fantasia Festival 2021

Beyond the Infinite Two Minutes, the directorial debut of Junta Yamaguchi, is a quirky, lean sci-fi comedy about characters in a cafe who discover a two-minute-long time loop which occurs through a computer monitor. Filmed to emulate a single take, we see the characters experience the same events from two different perspectives as they discover that they can communicate with themselves from two minutes into the future (or, later on, four or six or eight minutes down the line).

It is a creative premise, filmed ambitiously given the low budget and with Continue reading Review: Beyond the Infinite Two Minutes — Fantasia Festival 2021