Category Archives: Action/Thriller

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Birds of Prey (2020) Movie Review

At the start of Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn), the latest film from DC, Harleen Quinzel (Margot Robbie) is no longer with her beau the Joker. She is heartbroken and alone, and decides to mend wounds by drinking until belligerent. While in this state, she lets slip that she is no longer associated with the “Clown Prince of Crime,” a figure who strikes fear into the hearts of even Gotham’s most unhinged criminals. Without the Joker keeping them at bay, most everyone in the city wants to get even with Harley Quinn.

Along the way, there is also a MacGuffin involving a priceless diamond being stolen, a diamond whose owner is the megalomaniac Continue reading Birds of Prey (2020) Movie Review

The Gentlemen (2020) Movie Review

In 2019, Guy Ritchie’s live action Disney adaptation of Aladdin was released. It is a film with no discernible trace of Ritchie’s authorial stamp. He follows Aladdin up with The Gentlemen, a film that is so readily a return to Ritchie’s crime film origins that it almost appears as a parody.

The film is framed by a somewhat fidgety, gift of gab private eye named Fletcher (Hugh Grant), who has Continue reading The Gentlemen (2020) Movie Review

Star Wars: The Rise of Skywalker (2019) Movie Review

There is something completely understandable and, to  an extent, forgivable about the slapdash, lumpy, and largely hollow pieces that shape the narrative of Star Wars: The Rise of Skywalker. There is a distinct feeling, present from the opening scene of The Rise of Skywalker, that J.J. Abrams started this race a lap behind (Abrams was brought on late to the film after Disney parted ways with Colin Trevorrow).

It is a feeling that some higher power, whether it be Abrams or Kathleen Kennedy or whoever, decided to Continue reading Star Wars: The Rise of Skywalker (2019) Movie Review

Gemini Man (2019) Movie Review

There is nothing particularly novel about the setup of Gemini Man. Will Smith plays Henry Brogan, a master assassin with 72 kills under his belt. He is on the verge of retirement, and the government organization that hires him, the Defense Intelligence Agency, sends the next great thing in assassination against him.

The first act is a thorough illustration of Brogan’s unmatched skill. He evades, he eviscerates, he saves. He exposes the young agent who has been tasked with surveilling him (Mary Elizabeth Winstead). He looks down the sights of plenty of guns (with the gun cocked at a super cool angle). Long story short, Continue reading Gemini Man (2019) Movie Review

The Lighthouse (2019) Movie Review

It may be cliched to refer to beautiful-looking films with the phrase “every frame is a painting,” but in the case of Robert Eggers’ latest, The Lighthouse, many of the shots are picturesque. The introduction of our two characters, lighthouse keepers Ephraim Winslow (Robert Pattinson) and Thomas Wake (Willem Dafoe), looks like a stoic portrait. The reverse shot that follows, depicting the lighthouse on the black ocean, looks like a Gothic landscape piece.

The shot compositions in The Lighthouse are the icing on the cake that is this film about the mental disintegration of the two men, who find themselves Continue reading The Lighthouse (2019) Movie Review

Review: First Love – Fantastic Fest 2019

Takashi Miike’s First Love is a love story, just in the loosest sense. It is also a film about addiction, allegiances, overcoming past trauma, and Yakuza violence. Yep, it’s a Yakuza crime film, but Miike layers this intensely-plotted crime story with humanity that perks up at the most unlikely times.

The plot involves a boxer with a brain tumor, a drug addict working as a prostitute to pay off her father’s debt, a cop who breaks bad in order to swindle two warring gangs over a bag of dope, and plenty of Continue reading Review: First Love – Fantastic Fest 2019

Charlie Says (2019) Movie Review

While it is unfair to compare Mary Harron’s latest film, Charlie Says, to Quentin Tarantino’s latest—and I will try to keep this brief—my exposure to both films came within a close window, making it hard to avoid. But I do think that one illuminates the other, as opposed to one dwarfing the other.

Once Upon a Time…in Hollywood makes it a point to limit Charlie Manson’s voice and screentime, choosing instead to focus on his acolytes. This Continue reading Charlie Says (2019) Movie Review