Peter von Goethem’s experimental, verse-like docufiction employs archival footage from the Royal Belgian Film Archive, but it relies on a voiceover narration to tell much of its story of a man losing his memories due to a dubious virus.
Takashi Miike’s First Love is a love story, just in the loosest sense. It is also a film about addiction, allegiances, overcoming past trauma, and Yakuza violence. Yep, it’s a Yakuza crime film, but Miike layers this intensely-plotted crime story with humanity that perks up at the most unlikely times.
Jojo Rabbit is a tonal minefield. Taking place during the waning months of World War II and featuring a 10-year-old boy’s imaginary friend version of Hitler (played by writer-director Taika Waititi), the film is an anti-hate dramedy with plenty of Third Reich hate being tossed around as jokes of absurdity.
Oscar Martin’s Amigo, his feature directorial debut, will likely come to be known as Intouchables without the uplift. Both films center on a caretaker and a man who has been rendered paralyzed, and the struggles therein. But the comparison is reductive, as Amigo is quite clearly staking out a space for itself in the psychological thriller genre-space.
While it is unfair to compare Mary Harron’s latest film, Charlie Says, to Quentin Tarantino’s latest—and I will try to keep this brief—my exposure to both films came within a close window, making it hard to avoid. But I do think that one illuminates the other, as opposed to one dwarfing the other.
I imagine the pitch to Fox Searchlight for the new horror comedy Ready or Not started somewhere along the lines of that. Writers Guy Busick and Ryan Murphy may have thrown in some talk of a satire of the 1%, a bloody R-rated horror film with potential mainstream appeal, crossbows, and/or a board game-based “dominion.”
Busick and Murphy’s script begins with a wedding. But there isn’t a lot of champagne and doves at this wedding. Looming under the shadow of the Le Domas mansion, Grace (Samara Weaving) and Alex (Mark O’Brien) are Continue reading Ready or Not (2019) Movie Review→
Luce Edgar (Kelvin Harrison Jr.) is a specimen of excellence, a future model citizen. A high schooler on his way to a prominent career in whatever he pleases, Luce is charismatic, intelligent, athletic, a quiet leader, and an ace debater. He has the ability to convince others that what he is saying is correct. The audience included, perhaps.
When history teacher Harriet Wilson (Octavia Spencer) presents to Luce’s parents (Naomi Watts and Tim Roth) a paper Luce wrote in the voice of Frantz Fanon, an anti-colonial revolutionary that argued for the necessity of violence to fight colonialization, his ideal character comes into question.