Category Archives: musical

2022 Fantasia Festival Movie Reviews — Shin Ultraman, Country Gold, Give Me Pity!

Shin Ultraman, Country Gold, and Give Me Pity! are screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.

Shin Ultraman

Shin Ultraman is the second Toho Pictures reboot of classic characters to be written by Neon Genesis Evangelion creator Hideaki Anno, with a third film planned. And Shin Ultraman immediately comes across as a sibling to the 2016 Shin Godzilla, with its Continue reading 2022 Fantasia Festival Movie Reviews — Shin Ultraman, Country Gold, Give Me Pity!

Review: Please Baby Please — Fantasia Festival 2022

Please Baby Please is screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.

Newlyweds Suze (Andrea Riseborough) and Arthur (Harry Melling) witness a murder outside of their apartment building. The culprits, a greaser gang called the Young Gents, then turn their attention to the couple, initiating a series of events that change the two people forever.

Please Baby Please is a noir-tinged send-up of the biker gang movies of the 1950s, but that description does not come close to identifying what the film is accomplishing. Amanda Kramer’s film is an articulate examination of Continue reading Review: Please Baby Please — Fantasia Festival 2022

In the Heights (2021) Movie Review

In the Heights is the first big post-pandemic movie to feel like a theatrical event. That was my experience, anyway. And this is coming from someone who’s never seen the stage play from Lin-Manuel Miranda and Quiara Algeria Hudes. Someone who has only a passing knowledge of film musicals in general.

Tenet was pushed early in the pandemic as the theatrical savior (I recall the whole world chanting in chorus, “if Chris Nolan can’t do it, then who can”). That proved to be too early and, frankly, not nearly splashy enough for a blockbuster. Just last weekend, A Quiet Place Part II and Cruella sparked life into an American box office which had been more or less comatose for over a year. The former is a popcorn-munching thriller with its pluses and minuses (I can’t speak to the latter). But it’s not In the Heights.

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Jon M. Chu’s follow-up to the lavish and vibrant Crazy Rich Asians doubles down on the extravagance, painting the blocks of Washington Heights, NYC with lively choreography and the occasional cinematic flourish. The film feels Continue reading In the Heights (2021) Movie Review

Cats (2019) Movie Review

I am not overly familiar with Andrew Lloyd Webber’s feline musical Cats, but I gather that the 2019 film adaptation from Tom Hooper is fairly loyal to the subject matter. Victoria (Francesca Hayward), a young white-haired cat, is thrown violently from a car and finds herself in London streets populated with other cats. She just so happens to be arriving on the day of the Jellicle Ball, an annual event where jellicle cats compete in the Jellicle Choice, which allows one lucky jellicle cat to ascend to a new jellicle life in the “Heaviside Layer.”

I cannot confidently tell you what “jellicle” means.

Cats is, to put it kindly, hard to watch. The humanoid manifestations of these cat characters, rendered in CGI but maintaining the general visages of the performers’ faces, has been Continue reading Cats (2019) Movie Review

The Lion King (2019) Movie Review

The throw-out umbrella term “live action” used to describe the slough of Disney “re-imaginations” is a misnomer. It has been since The Jungle Book recreation in 2016, which is live action only in its employment of Neel Sethi as Mowgli. Everything else in that film is comprised of computer generated visual effects.

With The Lion King, Jon Favreau returns after The Jungle Book to direct, and the film is Continue reading The Lion King (2019) Movie Review

Yesterday (2019) Movie Review

Yesterday is a perfect example of a film that makes for a great trailer. A trailer that hides everything but the premise, because nothing other than the premise would be enticing to put into a trailer.

This premise is this: a global blackout lasting 12 seconds causes failing musician Jack Malik (Himesh Patel) to be struck by a bus. After leaving the hospital, he is shocked to find that Continue reading Yesterday (2019) Movie Review

Teen Spirit (2019) Movie Review

“Teen Spirit” is an American Idol-esque pop reality competition in which teens sing and dance in hopes of achieving a record contract. Violet (Elle Fanning) is a seventeen-year-old who sneaks out at night to perform to a near-empty dive bar. She croons to one listener, silhouetted by a neon heart sign. “I was a fool,” she repeats until the song fades, and the one man (Zlatko Buric) claps.

When Violet decides to register for the “Teen Spirit” competition, she enlists this man—she later finds out he is a former opera singer—to Continue reading Teen Spirit (2019) Movie Review

A Star is Born (2018) Movie Review

About 10 minutes into A Star is Born—that is to say, the 2018 Bradley Cooper-directed A Star is Born—country rock superstar Jackson Maine (Cooper) explains to his love-at-first-sight (and soon to be muse) date Ally (Lady Gaga) something very important. Drunk, but conjuring up a moment of lucidity, he points around at the patrons of the bar. “Everyone in this bar is talented at one thing or another,” he says. But Ally. Ally has something to say. And that means something. That’s bigger than just being talented.

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With this line, Cooper both encapsulates the entire film and reveals its biggest flaw. A Star is Born is certainly talented at one thing or another. But I don’t know if Continue reading A Star is Born (2018) Movie Review

Mamma Mia! Here We Go Again (2018) Movie Review

Mamma Mia! Here We Go Again is both what you expect it to be and not at all what you might want it to be.

For one: if you have a soft spot for the silver screen Mamma Mia!, don’t expect a whole lot from the original cast. One hall of fame actress, in particular, is in noticeably short supply. And don’t go into this thinking, based on the trailer, that Cher comes in to fill the void.

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But don’t fret: there is still plenty of Pierce Brosnan. I just can’t understand why they don’t give him numerous musical numbers…at least he mugs, pursed-lipped, to camera at every chance he gets.

I joke, because there isn’t Continue reading Mamma Mia! Here We Go Again (2018) Movie Review

The Greatest Showman (2017) Movie Review

One benefit a musical is afforded is narrative efficiency. As we see at the beginning of The Greatest Showman, entire backstories and a character’s drives and goals can be distilled into a single song. But narrative efficiency should not replace depth of characterization, storytelling, nor theme.

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The themes at the heart of the songs in The Greatest Showman are not particularly deep or insightful. The power of dreams and acting on them. The power of individuality and being comfortable in one’s own skin. Tolerance of those different than yourself. A general distaste for upper class snobbishness. None of these concepts are Continue reading The Greatest Showman (2017) Movie Review