Andrew Haigh’s All of Us Strangers is a story about a haunted man, which becomes a film about a (potentially more literal) haunting. The film’s main preoccupation is with conversations which never happen. Adam (Andrew Scott), an aspiring screenwriter, is using the script format to try and crack into his inner visions of his deceased parents. Hypothetical conversations play out on screen, where Adam divulges to his parents things he never had the chance to while they were alive. His mum and dad (Claire Foy and Jamie Bell) appear younger than Adam; they are the last version of them he can remember, as they died in a car crash when he was still a boy.
These dialogues are the heart of the film, despite a great performance by Paul Mescal that props up the film’s other half: a budding romance between two lonely men who are living in an almost entirely empty high rise. As the film progresses, the Continue reading All of Us Strangers (2023) Movie Review →
At the beginning of the court room drama Denial, Rachel Weisz’ embodiment of Deborah Lipstadt states to a class the four assertions that Holocaust deniers posit. The killings were not systematic. The number of deaths were exaggerated. Auschwitz was not built with extermination in mind. Therefore, the Holocaust is a myth.

Enter David Irving (Timothy Spall), an outspoken Holocaust denier. When Irving lays out a defamation suit against Lipstadt, she must Continue reading Denial (2016) Movie Review →
In the new outing for James Bond (Daniel Craig), we open on a gun barrel sequence. The classic gun barrel sequence, which we haven’t seen up front in a Daniel Craig Bond film until now. Signifying a return to classic Bond form, perhaps?

In Mexico City on Dia de Los Muertos, Bond stalks through a parade in a skeleton mask. He is on an off-book mission to assassinate a series of targets before they Continue reading Spectre (2015) Movie Review →
One man. Thousands of movies.