The Commuter, the next installment in the Liam Neeson Taken-on-vehicle-x series, begins with a barrage montage of his character’s daily routine. Michael MacCauley (Neeson) bangs off his alarm, is given a book to read by his son, is dropped off at the train by his wife, etc. etc., again and again over the course of days and weeks.
It is not an entirely shabby way of opening the movie—it introduces us to our central character and his way of life, as well as the routine that will define his central conflict later on—but it is edited in a jarring way over the opening credits in a manner that is off-putting.
The film co-stars Vera Farmiga—mostly via voiceover—as the instigator of a psychological game on MacCauley’s daily commuter train. She tells MacCauley that someone on the train does not belong, and if he can find that person Continue reading The Commuter (2018) Movie Review