You know what? If you like Super Troopers, then you might like Super Troopers 2. If you’re a die hard Broken Lizard fan, then you’ll probably find it uproarious.
I enjoy Super Troopers just fine. It’s the best thing I’ve seen from Broken Lizard when it comes to feature length affair. And Super Troopers 2 is better than a film like Club Dread, which left me baffled.
I Feel Pretty takes on a familiar cinematic conceit—think Big or body-swap comedies—where a woman named Renee (Amy Schumer) hits her head in an accident during SoulCycle and wakes up in the body of a perfectly gorgeous woman. At least, that’s what she thinks in her head.
Through the endless minutes of exposition at the front-end of The Titan, we hear a lot of what we have heard before in dystopian science fiction. Population is rising, while resources are dwindling. Pressures for survival have lit up violent conflicts across the world. Scientists and military personnel are desperate for a solution. Terraforming Saturn’s moon, Titan. Biogenetic enhancements to survive such a move. Medical trials gone wrong. Yadda yadda.
Rick Janssen (Sam Worthington) is one of these test subjects. A military man who was once thought MIA while in the Syrian desert, it is this incident that convinces the government that he is Continue reading The Titan (2018) Movie Review→
Bjorn Borg (Sverrir Gudnason) is the number one ranked tennis player in the world. The only thing between him and winning a fifth straight Wimbledon is American John McEnroe (Shia LaBeouf). McEnroe is an outspoken, emotional player who doesn’t follow the decorum of the sport.
Borg, on the other hand, is soft-spoken. He lacks emotion. He is very particular about his play and his fame, which he actively avoids. He is the apparent antithesis of McEnroe in almost every respect. Except, of course, that they both Continue reading Borg vs. McEnroe (2018) Movie Review→
Rampage is a 1980s arcade game in which three giant, mutated animals—a gorilla, a lizard, and a wolf—stomp through city skylines. The monsters tear down buildings, destroy military vehicles, and eat people. All for points. The game was popular enough to be ported over to multiple video game consoles.
The video game has no story and few characters (the monsters are given names, at least). Yet, somehow, Hollywood has managed to give the intellectual property both of these things. At least, enough of these things to produce a marketable movie.
A band of robbers hide away in a hamlet in the Mediterranean desert after stowing 250 kilos worth of gold bars in the trunk of their car and picking up a family of hitchhikers on their way back from the heist. Two police officers show up, and the whole thing devolves into a shootout.
Mason Skiles (Jon Hamm) is a negotiator. In 1972, he works for the U.S. government in Beirut. At a dinner party, he sums up the situation in Lebanon by calling the country a “boarding house without a landlord” that was thrown into confusion when the Palestinians “moved in.”
He continues talking in this politically-savvy way, as if he understands that the country is headed toward civil war. When he is brought back to Beirut 10 years later, however, he seems surprised at what he sees when he touches down.