Category Archives: Leave it

Movies I wish I had skipped. This could be for any number of reasons: the film was made sloppily, the narrative didn’t engage me, or I simply could not connect with the film in any way for whatever reason.

Downhill (2020) Movie Review

“Force majeure” refers to unforeseen acts that can prevent the fulfillment of a legal contract. In the case of Ruben Östlund’s 2014 film of that name, it refers to the unpredictable behavior of a man—a husband, a father—in the face of unexpected danger that could threaten to completely overturn his marriage and his own perception of himself. In Nat Faxon and Jim Rash’s 2020 film Downhill, the title is a pun on downhill skiing and a marriage on the decline.

Downhill is “inspired,” as the credits tell us, by Force Majeure, and it takes what is a Continue reading Downhill (2020) Movie Review

The Neighbors’ Window — 2020 Oscar Nominated Live Action Short Film Review

Alli (Maria Dizzia) and Jacob (Greg Keller) are married with two children with another on the way. They live a fairly humdrum life until they notice a young couple move into an adjacent building. The pair of 20-somethings (Juliana Canfield and Bret Lada) don’t like the idea of blinds, even when they have wild, free-spirited sex.

Alli and Jacob’s vantage point to this couple begins shifting their views on their own relationship, and these shifts continue even after they have their next child.

The first glaring issue with The Neighbors’ Window, the short film from Marshall Curry which has been nominated for an Academy Award for Best Live Action Short Film, is that Continue reading The Neighbors’ Window — 2020 Oscar Nominated Live Action Short Film Review

The Gentlemen (2020) Movie Review

In 2019, Guy Ritchie’s live action Disney adaptation of Aladdin was released. It is a film with no discernible trace of Ritchie’s authorial stamp. He follows Aladdin up with The Gentlemen, a film that is so readily a return to Ritchie’s crime film origins that it almost appears as a parody.

The film is framed by a somewhat fidgety, gift of gab private eye named Fletcher (Hugh Grant), who has Continue reading The Gentlemen (2020) Movie Review

The Grudge (2020) Movie Review

Following the huge success of Gore Verbinski’s The Ring in 2002, The J-horror franchise Ju-on was remade in the United States as The Grudge in 2004. It was also a success. In the first weekend of 2020, another remake of Ju-on appeared in theaters to little fanfare. To Sony, it seemed like a good idea. The time gap is big enough. The January market is (while a notorious dumping ground) not a moneyless area for horror.

And the premise of Ju-on, like any good myth, is worth retelling. The concept of a house whose primary tenant is a spiritual curse is (while by no means wholly original) intriguing. The story moves from Continue reading The Grudge (2020) Movie Review

Cats (2019) Movie Review

I am not overly familiar with Andrew Lloyd Webber’s feline musical Cats, but I gather that the 2019 film adaptation from Tom Hooper is fairly loyal to the subject matter. Victoria (Francesca Hayward), a young white-haired cat, is thrown violently from a car and finds herself in London streets populated with other cats. She just so happens to be arriving on the day of the Jellicle Ball, an annual event where jellicle cats compete in the Jellicle Choice, which allows one lucky jellicle cat to ascend to a new jellicle life in the “Heaviside Layer.”

I cannot confidently tell you what “jellicle” means.

Cats is, to put it kindly, hard to watch. The humanoid manifestations of these cat characters, rendered in CGI but maintaining the general visages of the performers’ faces, has been Continue reading Cats (2019) Movie Review

Star Wars: The Rise of Skywalker (2019) Movie Review

There is something completely understandable and, to  an extent, forgivable about the slapdash, lumpy, and largely hollow pieces that shape the narrative of Star Wars: The Rise of Skywalker. There is a distinct feeling, present from the opening scene of The Rise of Skywalker, that J.J. Abrams started this race a lap behind (Abrams was brought on late to the film after Disney parted ways with Colin Trevorrow).

It is a feeling that some higher power, whether it be Abrams or Kathleen Kennedy or whoever, decided to Continue reading Star Wars: The Rise of Skywalker (2019) Movie Review

Motherless Brooklyn (2019) Movie Review

Lionel Essrog (Edward Norton) is an assistant private investigator working under a man named Frank (Bruce Willis). Frank is his mentor, his father figure. Lionel was an orphan when he was taken under Frank’s wing. When Frank is murdered, it is only natural that Lionel will do whatever is necessary to uncover the reason behind his death. What he does not expect, though, is how entrenched this mystery is within a conspiracy of political power.

Lionel suffers from Tourette’s Syndrome. He is also OCD and can remember every word a person says. In terms of characterization, it is kind of Continue reading Motherless Brooklyn (2019) Movie Review