Category Archives: Leave it

Movies I wish I had skipped. This could be for any number of reasons: the film was made sloppily, the narrative didn’t engage me, or I simply could not connect with the film in any way for whatever reason.

Doctor Strange in the Multiverse of Madness (2022) Movie Review

In my review for Spider-Man: No Way Home, I didn’t call it superhero fatigue that fueled my lack of enthusiasm for Marvel. It was ambivalence. No greater evidence do I need for this ambivalence than meeting the trailer for a movie directed by Sam Raimi, one of my favorite directors, called Doctor Strange in the Multiverse of Madness with a resolute shrug of the shoulders.

The very premise of this movie should boggle the mind. A superhero sorcerer from Marvel comics with a sentient cape and a young woman trying to control her power to jump between universes are tasked with stopping Continue reading Doctor Strange in the Multiverse of Madness (2022) Movie Review

Deep Water (2022) Movie Review

Deep Water, following a rocky release schedule hampered by the Covid-19 pandemic, finally landed on Hulu this weekend. It is a less-than steamy erotic thriller from Adrian Lyne, a director known for his work in the genre (most notably the 1987 film Fatal Attraction). The film is Lyne’s first crack at directing in 20 years, and it stars former couple Ana de Armas and Ben Affleck as spouses whose marriage is on the rocks.

Vic (Affleck), a retired microchip engineer, has tolerated a tacit agreement with Melinda (de Armas) in which she escapes their passionless marriage by making “friends” with a few local bachelors. Her flirtations and flings are Continue reading Deep Water (2022) Movie Review

Texas Chainsaw Massacre (2022) Movie Review

Catch me on the right day and I’ll tell you that Tobe Hooper’s The Texas Chain Saw Massacre is my favorite horror movie. It jostles around with a few other notables, but it will likely never leave my top three.

The Fede Alvarez-produced, David Blue Garcia-directed Texas Chainsaw Massacre (2022) could be compared to the 1974 masterpiece with which it shares a title (sans definite article). Not just because it shares a villain, but also because it adopts a similar thinness of plot and character and dialogue. That said, I am not about to tell you that this year’s Texas Chainsaw Massacre is among my top three all-time horror favorites.

Let me tell you why. Oh, let me count the ways…

For starters, and I make similar mention of this in my review of the last awful Chainsaw installment, no sequel, prequel, nor reboot of Hooper’s original film can hope to Continue reading Texas Chainsaw Massacre (2022) Movie Review

Resurrection (2022) Movie Review

Resurrection premiered at the 2022 Sundance Film Festival.

Films which hinge on a central revelation are difficult to talk about. The experience of a film like this can be significantly altered if one already knows the revelation ahead of time. I won’t go into much detail about the plot of Andrew Semans’ Resurrection, for this reason. Just suffice it to say that your curiosity and subsequent shock at the revelation in Resurrection are required components to enjoying the film. And I think the film thoroughly fumbles its central conceit.

Which is not to say that the mystery surrounding the strange situation unfolding in front of us is not compelling, nor that the reveal itself is not Continue reading Resurrection (2022) Movie Review

Watcher (2022) Movie Review

Watcher premiered at the 2022 Sundance Film Festival and is competing in its U.S. Dramatic competition.

Chloe Okuno’s feature debut Watcher is a thriller in the Rear Window tradition. Americans Julia (Maika Monroe) and Francis (Karl Glusman) move to Bucharest after Francis receives a promotion. Julia does not have a job here and does not speak Romanian, two facts which isolate her in her new environment, leaving her on edge as she goes about her days largely alone. And it does not help that Continue reading Watcher (2022) Movie Review

Halloween Kills (2021) Movie Review

Halloween Kills is so busy being a sequel to Halloween (2018) and Halloween (1978) that it forgets to be a coherent horror film. Don’t get me wrong, David Gordon Green’s follow-up to his 2018 hit reboot is a bloody mess of a slasher movie (in a good way). But it is also a bloody mess of a script (in a bad way).

When Green and co-writers Danny McBride and Jeff Fradley (Scott Teems replaces Fradley on this sequel) decided to scrap franchise continuity to focus on Continue reading Halloween Kills (2021) Movie Review

Fantastic Fest 2021: Barbarians, Knocking, Found Footage Phenomenon — Movie Reviews

The Found Footage Phenomenon, Barbarians, and Knocking are screening as part of Fantastic Fest 2021.

The Found Footage Phenomenon

The Found Footage Phenomenon is just what it says on the tin: an overview of the phenomenon of found footage horror films that sprung into the mainstream after the massive success of The Blair Witch Project in 1999. As a primer for the uninitiated,  Continue reading Fantastic Fest 2021: Barbarians, Knocking, Found Footage Phenomenon — Movie Reviews

Fantastic Fest 2021: The Slumber Party Massacre — Movie Review

The Slumber Party Massacre (2021) is screening as part of the 2021 Fantastic Fest.

The original The Slumber Party Massacre, written by Rita Mae Brown and directed by Amy Holden Jones, holds a special place in my heart, as it does for a number of slasher fans. The 1982 cult film was delightfully subversive, coming in the midst of the glut of slashers from the 1970s-80s

Needless to say then, that there are big shoes to fill for this remake (from my perspective, at least). This said, Continue reading Fantastic Fest 2021: The Slumber Party Massacre — Movie Review

Review: The Sadness — Fantasia Festival 2021

Robert Jabbaz’s debut feature film, The Sadness, takes place in the midst of a pandemic. In particular, it takes place during a point in a pandemic where people have stopped worrying about mutations and have largely gone back to their normal day-to-days. Against this backdrop, young couple Kat (Regina Lei) and Jim (Berant Zhu) have planned a vacation. They begin the movie arguing over Jim needing to take on a job during the same week Kat has taken time off of work. Given where this film eventually goes, it is a somewhat banal place to begin the film.

There are many who will turn on this movie. It certainly gives you plenty of chances to turn as events in this Taiwanese city shift from Continue reading Review: The Sadness — Fantasia Festival 2021

Fantasia Festival 2021 Movie Reviews — Glasshouse, Sweetie You Won’t Believe It, The Last Thing Mary Saw

Glasshouse; The Last Thing Mary Saw; and Sweetie, You Won’t Believe It are screening as part of the 2021 Fantasia International Film Festival that runs Aug. 5 to Aug. 25.

Glasshouse

Glasshouse is an interesting take on a post-apocalyptic sci-fi thriller. It explores  Continue reading Fantasia Festival 2021 Movie Reviews — Glasshouse, Sweetie You Won’t Believe It, The Last Thing Mary Saw