My favorite film of 2018 was Chloe Zhao’s The Rider. It is, in my mind, a transcendent experience of intimacy and empathy whose connection to reality enhances its visceral, heartfelt case study of cowboyism.
While watching Laure de Clermont-Tonnerre’s The Mustang, I couldn’t shake the memory of watching The Rider for the first time. Both involve plot mechanics involving horse training and thematic notions of disillusioned masculinity. They both attempt to take a quiet, restrained look at one man’s emotional growth, as well.
When it comes to analysis, a comparison of the two films will Continue reading The Mustang (2019) Movie Review