My favorite film of 2018 was Chloe Zhao’s The Rider. It is, in my mind, a transcendent experience of intimacy and empathy whose connection to reality enhances its visceral, heartfelt case study of cowboyism.
While watching Laure de Clermont-Tonnerre’s The Mustang, I couldn’t shake the memory of watching The Rider for the first time. Both involve plot mechanics involving horse training and thematic notions of disillusioned masculinity. They both attempt to take a quiet, restrained look at one man’s emotional growth, as well.
When it comes to analysis, a comparison of the two films will Continue reading The Mustang (2019) Movie Review
“In 1980s Detroit, Ricky Wershe Jr. was a Street Hustler, FBI Informant and Drug Kingpin—all before he turned 16,” boasts the poster for White Boy Rick, the true-crime drama courtesy of director Yann Demange and Matthew McConaughey’s hair. Because if any actor could use a mullet for its full creative potential…
The eponymous white boy is portrayed by Richie Merritt, a newcomer to the screen. Merritt is a high school student, unlike Ricky, who has dropped out of school to Continue reading White Boy Rick (2018) Movie Review
The main conversation surrounding Chappaquiddick, the drama from John Curran detailing the events following the drunk driving accident perpetrated by Ted Kennedy that cost Robert Kennedy campaign worker Mary Jo Kopechne her life, is a political one. A political film breeding political conversation; the equation makes sense.
Apparently the liberal creatives behind the film are frustrated with the lack of liberal media attention for the film, and the conservative audience is the one championing the film for not sugar-coating the incident—although, to play devil’s advocate to the IndieWire piece, a good number of liberal-minded critics have given the film positive reviews.
All the same, most moviegoers are Continue reading Chappaquiddick (2018) Movie Review
One man. Millions of movies.