Gaspar Noe is nothing if not an indulgent filmmaker. Visceral is a word often associated with his work. But he can go deeper, to the bone, when his work is at its most mature.
With Climax, Noe toes a line of maturity in filmmaking that can be difficult to parse. From one angle, his visual-forward approach to the film hearkens back to notions of a pure cinema. Aspects of colored flood lighting, minimal set dressing, deliberate camera work, and character movement take precedence over dialogue and plotting.
From a different angle, Noe is unable to fully divorce himself from superficial depictions of sensational horrors. The result of this is Continue reading Climax (2019) Movie Review