Creep 2 is the Patrick Brice-directed follow up to 2014’s Creep, the mumblegore sensation starring Brice and Mark Duplass. In that film, written by the two but perhaps mostly just ad-libbed on the day by them, Duplass plays Josef, a man who hires a cameraman to make a film for Josef’s unborn son.
Of course, there is much more to it than that.
In Creep 2, Duplass is back, and his deranged character goes by Aaron this time around. Aaron hires Sara (Desiree Akhavan), the host and one-woman crew of the webseries “Encounters.” With her Youtube series utterly failing, she is willing to Continue reading Creep 2 (2017) Movie Review→
After being terrorized over and over by Chucky (Brad Dourif), the serial killer trapped in a child’s doll, Andy Barclay (Alex Vincent) seemingly has things under control, given he keeps the head of the doll behind lock and key with a blowtorch ready to melt him out of existence.
If nothing else, the Saw franchise is consistent in its formula. A Saw film generally has two plotlines that are crosscut until a final reveal that either brings them together or brings them both to a “surprising” end.
40 years after a brutal murder took place at a house in Amityville, New York, a family moves in. The mother (Jennifer Jason Leigh) wants things to be normal for her two daughters (Bella Thorne and Mckenna Grace) in spite of the medical condition of her son (Cameron Monaghan).
It was only a matter of time before Saw went socially conscious, and it does it in the only way it knows how: by pitting a smarmy insurance company suit (Peter Outerbridge) in a warehouse full of amusement park death traps.
Before this, however, we get the signature cold open trap, which is as silly and ridiculous as you would think. One thing to note about this scene that makes it more than merely a lazy and audience-baiting torture introduction is Continue reading Saw VI (2009) Movie Review→
Continuing in the tradition of the Saw franchise, which somewhere along the way became more of a police procedural than a horror series, Saw V follows the exploits of Jigsaw’s protege (Costas Mandylor) as he corners in on the FBI agent who is cornering in on him, Agent Strahm (Scott Patterson).
Charlotte Massot (Emilie Dequenne) is running away from something. Her car is packed full, and she is driving until she runs out of CDs to listen to. Along the way, she picks up a hitchhiker (Benjamin Biolay) and they wind up at an off-road bar. When the hitchhiker disappears, Charlotte is too curious not to investigate the bar further.
Following the death of John Kramer (Tobin Bell), aka the Jigsaw killer, a tape is discovered in his cadaver’s stomach detailing a new game. Two police officers related to the Jigsaw case, SWAT member Rigg (Lyriq Bent) and Lt. Hoffman (Costas Mandylor), disappear.
Agent Peter Strahm (Scott Patterson) is tasked with solving the latest Jigsaw mystery.
Crime novel adaptations to the screen seem to not be faring too well. Last year’s The Girl on the Train is the most recent example, but now we have The Snowman to take up the mantle. Let’s just hope that Murder on the Orient Express does some justice to its source material and to the medium of cinema.