Charlotte Massot (Emilie Dequenne) is running away from something. Her car is packed full, and she is driving until she runs out of CDs to listen to. Along the way, she picks up a hitchhiker (Benjamin Biolay) and they wind up at an off-road bar. When the hitchhiker disappears, Charlotte is too curious not to investigate the bar further.
Following the death of John Kramer (Tobin Bell), aka the Jigsaw killer, a tape is discovered in his cadaver’s stomach detailing a new game. Two police officers related to the Jigsaw case, SWAT member Rigg (Lyriq Bent) and Lt. Hoffman (Costas Mandylor), disappear.
Agent Peter Strahm (Scott Patterson) is tasked with solving the latest Jigsaw mystery.
Crime novel adaptations to the screen seem to not be faring too well. Last year’s The Girl on the Train is the most recent example, but now we have The Snowman to take up the mantle. Let’s just hope that Murder on the Orient Express does some justice to its source material and to the medium of cinema.
Saw III might be the most dull installment of the torture porn franchise. Directed, like with the first sequel, by Darren Lynn Bousman, this seeming end to a trilogy sees the final waning days of John Kramer (Tobin Bell). Kramer is an aging man with terminal brain cancer. He is also an eccentric serial killer known as Jigsaw.
McG’s new film, The Babysitter, is immediately abrasive. Within the first five minutes, we find ourselves in four different locations. Cole (Judah Lewis) is introduced as too squeamish to accept a shot from the school nurse. A strange introduction, to be sure.
Cole is your stereotypical high school nerd. He stutters his way through conversations. He is bullied by the stereotypical bullies. He has a massive crush on his babysitter Bee (Samara Weaving).
Is Saw II genius for its opening scene, which alludes to the horrifying opening to Luis Bunuel’s surrealist masterpiece Un Chien Andalou? Is Darren Lynn Bousman making some commentary on how art repeats itself, making a bold self-reflexive statement about where the Saw franchise was headed back in 2005?
The premise of Them is exceeding simple: a couple (Olivia Bonamy and Michael Cohen) is trapped inside their isolated home in the country when unseen assailants torment them from the outside.
And that’s it. The short, not-quite-80-minutes-long film comprises this one conceit (and a cold open that accomplishes the exact same conceit but in a well-paced, taut nine minute span). The tension of this home invasion plot is Continue reading Them (2007) Movie Review→