The rape-revenge genre is certainly not the most approachable one. It is one of the more controversial, to be certain. A squeamish one, for sure. Rarely can a film in this genre be called “fun.”

At its most primal, Coralie Fargeat’s debut feature Revenge is a bloody good time. In the tradition of its New French Extremity predecessors, the film goes full throttle into a place best described with words like Continue reading Revenge (2018) Movie Review →