Challengers (2024) Movie Review

One could describe great dialogue as like a tennis volley. In the case of Luca Guadagnino’s Challengers (dialogue provided by writer Justin Kuritzkes), the simile is essentially literalized. For three tennis players of differing star power, tennis is a contentious conversation, and contentious conversation is rarely far removed from talk of tennis. That is to say, as the relationships between Tashi Duncan (Zendaya), Art Donaldson (Mike Faist), and Patrick Zweig (Josh O’Connor) grow more knotty, melodramatic, and complex, the thin line that separates on-court competition from romantic interests is hopelessly blurred.

Frankly, describing this central premise which conflates sports competition and competitive romantic endeavors makes the film sound Continue reading Challengers (2024) Movie Review

Summer 2024 Box Office Predictions

We are about to enter a bleak summer for theatrical cinema. For several reasons – chief among them the WGA and SAG-AFTRA strikes of last year causing delays – 2024 has less to offer than previous years when it comes to big budget blockbuster tentpoles. Even with first quarter offerings like Dune: Part Two, Ghostbuster: Frozen Empire, and Godzilla x Kong: The New Empire (between the three, Hollywood may be tipping a tad too imperial), the box office is lagging behind 20% compared to the numbers from this time last year. Deadline reports a projected $1 billion drop in box office by year’s end.

The summer will likely be where this deficit is felt the hardest. Whereas most May months of recent years (pandemic year 2020 notwithstanding) have begun with Continue reading Summer 2024 Box Office Predictions

Ghostbusters: Frozen Empire (2024) Movie Review

Somewhere in the midst of the haggard kerfuffle that is the frozen empire of Ghostbusters: Frozen Empire, Ernie Hudson’s Winston Zeddemore tells Dan Aykroyd’s Ray Stantz something to the effect of the old cliché, “we’re getting too old for this.” This does not come across like a self-aware nod toward the inherent redundancy and inessential nature of Hollywood reboot culture. It feels more like the film accidentally self-reporting.

Personally (and fortunately, perhaps), I did not have to get too old before realizing that it is a waste of one’s time and energy to Continue reading Ghostbusters: Frozen Empire (2024) Movie Review

2024 Academy Awards Nominations Reaction: Is Oppenheimer Set for an Oscars Sweep?

The 2024 Oscar nominations have been announced. Many things played out as expected, with one or two notable omissions (apologies to Margot Robbie) and inclusions (congrats to America Ferrera). The Oscar races, by and large, continue to move toward their likeliest conclusions. But some key nominations (or lack thereof) tip the trajectories of some races in unexpected directions.

Oppenheimer went into nomination morning the current front-runner and the film anticipated to receive the most nominations. It succeeded on that front, scoring 13 noms. With firm aspirations in both above and below the line categories, Christopher Nolan’s Manhattan Project epic is poised to Continue reading 2024 Academy Awards Nominations Reaction: Is Oppenheimer Set for an Oscars Sweep?

I.S.S. (2024) Movie Review

Gabriela Cowperthwaite’s I.S.S. is a low-budget thriller set in the shoebox of a set replicating the International Space Station. The film sets out to be a slow-burn potboiler (despite a 95-minute runtime), where chummy colleagues are thrown into an international geopolitical dispute that sows distrust and paranoia. Kira Foster (Ariana DeBose) is greeted warmly by the crew of the space station, who hail equally from Russia and the United States. Her first day working as a biologist on the station ends in a drunken celebration and Kira looking out onto Earth’s surface. Weronika (Maria Mashkova) and Alexey (Pilou Asbæk) joke that Kira doesn’t understand the full weight of seeing the world from the outside, where you can no longer see borders.

The first 15 minutes of I.S.S. (and the last few moments of the film) harp on this obvious bit of foreshadowing: in the Space Station, there are no Continue reading I.S.S. (2024) Movie Review

Self Reliance (2024) Movie Review

With Self Reliance, Jake Johnson and The Lonely Island (Andy Samberg, Jorma Taccone, Akiva Schaffer) have made a broad comedy rendition of David Fincher’s The Game. After a bad breakup with his partner, an aimless Thomas Walcott (Johnson) jumps at the chance to play a mysterious game of life and death, to be live-streamed to the dark web. The rules are simple: Thomas must survive 30 days of being hunted by assassins from Greenland who may or may not ever find him and who cannot harm him if he is within striking distance of another person. Seeing this last part as an exploitable loophole (more of a rule than a loophole, as it were), Thomas accepts the challenge.

For the first few days, Thomas is golden. He wakes up, lazily rides a recumbent bicycle, has a few shots of whisky at a bar, and calls it a day. No sign of any “production assistant ninjas” ready to film his murder. Then, one night, a window breaks while he is sleeping and he discovers Continue reading Self Reliance (2024) Movie Review

The Book of Clarence (2024) Movie Review

Jeymes Samuel’s The Harder They Fall was a pleasant surprise and a critical success for Netflix. His follow-up, The Book of Clarence, takes a similarly anachronistic approach to a familiar genre. This time, Samuel takes on the religious epic. The film presents an alternative biblical story adjacent to the story of the last days of Jesus Christ. This apocrypha is simplistic and familiar, so much so that when David Oyelowo’s John the Baptist exposition dumps the premise unnecessarily the plot itself almost feels like a punchline.

Clarence (LaKeith Stanfield) and his friend Elijah (RJ Cyler) owe a man known as Jedediah the Terrible (Eric Kofi Abrefa) money that they don’t have. To further complicate things, Clarence is Continue reading The Book of Clarence (2024) Movie Review

The Delinquents (2023) Movie Review

Rodrigo Moreno’s The Delinquents is not a heist film, but it does begin with an elaborate bank robbery. It is not exactly a thriller, either, though it borrows from plenty of the tropes you’d find in an exciting thriller film with a heist as its centerpiece. Elaborate planning, blackmail, prison politics, uneasy partnerships, paranoia of being found out, and the hiding of wads of cash all play an important role in the film. But The Delinquents is more like a slow cinema crime epic than the films it borrows these caper conventions from.

The three-hour-long film begins with a desire for cash and ends with a liberation of self. Morán (Daniel Elias) has spent a long career working at a bank, and he is still Continue reading The Delinquents (2023) Movie Review

The Taste of Things (2023) Movie Review

If someone tried to argue that cooking is the most cinematic activity, it wouldn’t take much to convince me. The Taste of Things would make a good Exhibit A (or Exhibit B under Tampopo. Or Exhibit C under Big Night. Et cetera). When done right, there is something about the film depiction of cooking that just feels whole, like a full experience. Cooking is tactile, textural, occasionally sensual. It brings all of the senses into harmony. For someone like me who doesn’t know the first thing about the craft or art of cooking, The Taste of Things might be the closest I’ll come to understanding that harmony (I don’t even know half of the ingredients in the dishes prepared in this film).

The French title of The Taste of Things is La Passion de Dodin Bouffant. It is a fitting title, in that the film is driven forward by Continue reading The Taste of Things (2023) Movie Review

The Iron Claw (2023) Movie Review

Sean Durkin’s films are about haunted people. In The Nest, the English manor the characters move to becomes a haunting symbol of their marriage crumbling down around them in the present. The protagonist of Martha Marcy May Marlene is haunted by her traumatizing past in a cult. The characters of the Von Erich brothers in The Iron Claw are haunted by their futures.

The reason for this forward-looking anxiety is the brothers’ parents. Their father, Fritz Von Erich (Holt McCallany), owns the Dallas-based wrestling league the WCCW, and he only really expresses pride and love for his sons when they Continue reading The Iron Claw (2023) Movie Review

One man. Thousands of movies.