All posts by Alex Brannan

Action/Thriller, All Movie Reviews, Drama, Long Reviews (>400 Words), Love It

Cloud (2025) Movie Review

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The Internet is filled with scams. Scalpers have been around as long as there have been tickets to sell, presumably. Snake oil salesmen before that. So long as there is a way to make a quick buck on a rube, people have tried.

The anonymity of these individuals is part of their strength. Shadowy individuals scoop up as many hot-item concert tickets as possible and mark them up by many multiples. Who are these people? Conventional wisdom would suggest: apathetic scumbag, opportunistic scumbag, scummy scumbag.

Director Kiyoshi Kurosawa only challenges this conventional wisdom enough so that we understand Continue reading Cloud (2025) Movie Review →

Lists, Long Reviews (>400 Words)

The Best Movies of 2025

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I usually start these year-end lists with some perfunctory and entirely unnecessary recap of my feelings of the previous year. Not this year. Let’s move on. Our tomorrow must be better than our yesterday.

(The movies were OK).

Honorable Mentions: Sorry, Baby; The Secret Agent; Black Bag; Souleymane’s Story; The Ugly Stepsister; Marty Supreme; On Becoming a Guinea Fowl; Wake Up Dead Man; Eephus; The Mastermind; Hamnet; Caught by the Tides; Weapons; The Naked Gun; Left-Handed Girl

10. KPop Demon Hunters

I arrived very late to Kpop Demon Hunters, the surprise cultural sensation of 2025. And the film lives up to its reputation. Watching it, I couldn’t help but Continue reading The Best Movies of 2025 →

Lists, Long Reviews (>400 Words)

The Worst Movies of 2025

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2025 certainly was not a bad year in cinema, but I also found many films did not move the needle. Some films were major disappointments. And then, as always, there were the dregs. These five films were, save for one exceptional case, the least enjoyment I got out of film-watching this year.

The Electric State

Many hands have already been wrung over the supposed price tag of this little ditty from the brothers Russo. It is an exacerbating factor in the film’s already negative reception (How could it be this bad and this expensive?) It is a blemish that is difficult to Continue reading The Worst Movies of 2025 →

All Movie Reviews, Comedy, Horror, Leave it, Long Reviews (>400 Words)

Review: Sugar Rot — Fantasia Festival 2025

Sugar Rot had its Quebec premiere on Aug 1 as part of the Fantasia International Film Festival.

Sugar Rot is billed as a feminist, punk rock, body horror film. It does involve the horrific transformation of a body, that of the protagonist fittingly named Candy (Chloe Macleod). One location in the film presents a few punk rock bands performing. And the John Waters-esque story world produced by director Becca Kozak is obsessed with female body standards and the normalization of the exploitation of women’s bodies. So, check, check, and check on the billing. At face value, at least.

There is a cruel contradiction at the sugary core of Sugar Rot. As Candy’s body becomes candy (literally), every character wants to Continue reading Review: Sugar Rot — Fantasia Festival 2025 →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Review: Lurker — Fantasia Festival 2025

Lurker had its Canadian premiere on Aug 1 as part of the Fantasia International Film Festival.

Alex Russell’s debut film Lurker is about obsession. It is in one sense about the parasocial relationships fostered by celebrity, but more accurately it is about the mind of a person who manipulates the world around him in order to embed himself within one celebrity’s orbit. It is a film about a sociopath, essentially.

Matthew (Theodore Pellerin), this sociopathic personality, works at a clothing store occasionally patroned by an up-and-coming musician named Oliver (Archie Madekwe). Matthew plays a song over the speaker that is calculated to get Oliver’s attention. When he gets it, he pretends to have never heard of Oliver’s music. He, of course, has heard it. In fact, he relentlessly stalks Oliver’s social media to gain Continue reading Review: Lurker — Fantasia Festival 2025 →

All Movie Reviews, Comedy, Drama, Leave it, Long Reviews (>400 Words)

Review: $POSITIONS — Fantasia Festival 2025

$POSITIONS had its Quebec premiere on July 30 as part of the Fantasia International Film Festival.

It is hard to shake the resemblance between Brandon Daley’s $POSITIONS and Benny and Josh Safdie’s Good Time. The two brothers at the center, the economically motivated premise, the ill-conceived choices, the propulsive synth score. The two films are so similar, in fact, that by the time this review goes live, every other person on the Internet will likely have already made the comparison.

The biggest difference between the two films is in the tone, where $POSITIONS is more overtly comedic. More specifically, it is a comedy of errors meets grossout comedy sort of cringe comedy. And its gags get so Continue reading Review: $POSITIONS — Fantasia Festival 2025 →

All Movie Reviews, Comedy, Drama, Like It, Long Reviews (>400 Words)

Review: OBEX — Fantasia Festival 2025

OBEX had its Canadian premiere on July 29 as part of the Fantasia International Film Festival.

It’s 1987. “Computer” Conor (Albert Birney, who also directs) spends his morning talking lovingly to his dog Sandy and watching the news on one of the three television sets stacked in a row in the middle of his living room. He works from home, rapidly typing out on his Macintosh computer digital recreations of photographs that people send to him. His neighbor Mary (Callie Hernandez) arrives weekly to check up on him and bring him groceries, but he never opens the door.

While thumbing through a computer hobbyist catalogue, Conor stumbles upon a mysterious ad for a video game called “OBEX.” Not only is it a game, but it is Continue reading Review: OBEX — Fantasia Festival 2025 →

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing

Lucid and Every Heavy Thing had their world premieres on July 21 as part of the Fantasia International Film Festival.

Lucid

Mia (Caitlin Taylor) is an art student without inspiration. When she screws up her self-portrait, she nails a dead fish to it at the last minute and hurries to the studio. Her instructor and most of her classmates are unimpressed. Desperate for Continue reading Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words)

Review: Hellcat — Fantasia Festival 2025

Hellcat had its world premiere on July 25 as part of the Fantasia International Film Festival.

Brock Bodell’s Hellcat is immediately intense. A rickety mobile home tearing down the highway is our setting. Inside is Lena (Dakota Gorman), who wakes to the jolting movements of the vehicle the home is hitched to. Assessing her situation, she finds herself padlocked inside with nothing in her pockets. A voice over an intercom (Todd Terry) tells her that she is “infected” (in a nice touch, the voice comes through the mouth of a taxidermy wolf head). This driver, Clive, claims to have found her injured, and that he is driving her to a doctor. But the red flags quickly start to mount as Lena investigates the trailer.

My immediate thought on being presented the premise is that the title of the film was likely giving the twist away, or that the title was a red herring. In either case, I would have preferred the lack of clarity that the film dropped me into. There is enough ambiguity to what is going on—until Continue reading Review: Hellcat — Fantasia Festival 2025 →

All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words), Romance

Review: I Fell in Love with a Z-Grade Director in Brooklyn — Fantasia Festival 2025

I Fell in Love with a Z-Grade Director in Brooklyn had its world premiere on July 23 as part of the Fantasia International Film Festival.

Shina Mizuhara (Ui Mihara) is a bored actress. Promoting her new film, she lazily answers softball press questions. When she doesn’t get anything satisfying out of the interview, she turns to the camera and starts drooling. Completely unmotivated, Shina strives for a change of pace by vacationing in New York City.

Jack (Estevan Munoz) is an imaginative and passionate wannabe filmmaker. Growing up on Nirvana, George Romero, and Takashi Miike, Jack wants nothing more than to bring a punk rock ethos to film. Instead, he is a lowly intern for a New York studio, slaving away while only getting slightly closer to his dream.

When Shina and Jack get drunk at the same dive bar (and Jack finds Shina outside lying in someone else’s puke), an unlikely Continue reading Review: I Fell in Love with a Z-Grade Director in Brooklyn — Fantasia Festival 2025 →