Category Archives: All Movie Reviews

All Movie Reviews, Leave it, Long Reviews (>400 Words), Psychotronic

After Last Season (2009) Is (Maybe) the Most Ambitious Bad Movie Ever Made

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This is the third installment of the “Psychotronic Cinema” series. (What is psychotronic cinema?)

After Last Season is both notorious in certain online circles and a relatively unknown entity. Certain YouTubers have amplified its visibility over the last few years (and last few weeks, incidentally), but it still certainly hasn’t risen to the badfilm echelons occupied by the likes of Tommy Wiseau and Neil Breen.

But it deserves to be in that lowly pantheon.

The film opens in a “hospital” where a man is getting an MRI. The “MRI scanner” appears to be constructed of paper (sheets of paper also line the walls). The actor playing the technician stumbles over her line and has to Continue reading After Last Season (2009) Is (Maybe) the Most Ambitious Bad Movie Ever Made →

2023 Academy Awards, All Movie Reviews, Leave it, Long Reviews (>400 Words), Short Films

2023 Oscar Nominated Live Action Short Film Reviews: Ivalu and Night Ride

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It is round two of reviews for the Oscar-nominated Live Action Short Film category. In this edition, we look at Ivalu and Night Ride. Previously, we looked at The Red Suitcase and An Irish Goodbye.

Ivalu

“My sister…my blood.” Anders Walters’ Ivalu follows Pipaluk (Mila Heilmann Kreutzman), who wakes up one morning to find Continue reading 2023 Oscar Nominated Live Action Short Film Reviews: Ivalu and Night Ride →

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Knock at the Cabin (2023) Movie Review

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I have never known what to do with M. Night Shyamalan’s career. You can’t fault the guy for trying to do unique things with the thriller genre. But there are recurring aspects of his filmmaking which have bothered me, and these problems came to a head with the one-two punch of Glass and Old. The writing, acting, and tone in those movies irk me.

On the other hand, Shyamalan has surprised me pleasantly on multiple occasions. Split is really well-shot and holds the tension. The Visit has a few memorable moments. Going back to the first act of his career, The Sixth Sense and Unbreakable both hold up well, I think. And Praying with Anger is Continue reading Knock at the Cabin (2023) Movie Review →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words), Psychotronic

The Collingswood Story (2002) is the First Screenlife Movie

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This is the second installment in our “Psychotronic Cinema” series. (What is psychotronic cinema?)

The Collingswood Story has received something of a new lease on life with the continuing trend of “Screenlife” movies. Films which take place entirely on digital screen spaces find their origin point in 2002 with Collingswood. Though not Screenlife in the “pure” sense of taking place entirely on a screen (it’s maybe at 95%), Collingswood makes use of emergent technology in a relatively novel way – blocky early-2000s desktop aesthetic and all. A pandemic-era film like Host owes a great deal to this film, whose video chat technology amplifies a mood of isolation and loneliness.

Separate the film from its novelty, though, and Collingswood does not Continue reading The Collingswood Story (2002) is the First Screenlife Movie →

All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words), Psychotronic, Western

Greaser’s Palace (1972) is an (Unfulfilling) Weirdo’s Paradise

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This is installment one in our “Psychotronic Cinema“ series.

The films in this series are “psychotronic,” a term borrowed from Michael J. Weldon’s magazine and encyclopedia. Psychotronic covers the wide swath of cinema that is either slightly out there or entirely bonkers – horror, science fiction, fantasy, exploitation, blockbusters, flops, low budgets, no budgets, thought-provoking, brain dead, beautiful, grotesque, bloody, breezy, sleazy, and so on. At the end of the day, what is considered “psychotronic” might come down to the eye test – you know one when it crosses your path.

After watching last year’s Sr., a Robert Downey Jr.-led documentary about his father, filmmaker Robert Downey (Sr.), I was enticed into catching up on some of the director’s offbeat filmography. It wasn’t the documentary itself that invited me to see Greaser’s Palace — neither the clips from the film nor the doc’s father-son bonding moments did it for me. Frankly, the doc felt a few ticks overdone, with its black and white cinematography and Robert Downey Jr. puppeteering some of the would-be heartwarming scenes.

What works about Sr. is the same thing that works (for me, at least) about Sr.’s films, and that’s Continue reading Greaser’s Palace (1972) is an (Unfulfilling) Weirdo’s Paradise →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words), Sci-Fi/Fantasy

Infinity Pool (2023) Movie Review

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While I do find myself saying it quite often, I think “third act problems” is a strange statement. In most cases, a third act problem probably originates as a first or second act problem, as in, something needs to be resolved in the third act for the film to work and that does not happen. The third act reveals the problem, but it was an underlying structural problem that carries over across acts.

I make this distinction to say that Brandon Cronenberg’s Infinity Pool has major third act problems, but that these problems pertain to the film’s overall structure.

Cronenberg’s Possessor was my favorite horror movie of 2020. It is the type of film that does not give clarity to every angle of its story, but the overall Continue reading Infinity Pool (2023) Movie Review →

2023 Academy Awards, All Movie Reviews, Like It, Long Reviews (>400 Words), Short Films

2023 Oscars Best Live Action Short Film Reviews: The Red Suitcase, An Irish Goodbye

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After taking a break from covering the Academy Award nominees for Best Live Action Short Film, I am returning to the fold to shed some light on these under-seen gems (they are gems more often than not, at least). The nominees this year cover a broad geographical range, with films from Ireland, Iran by way of Luxemborg, Norway, Italy, and Denmark. For now, let’s focus on the first two and take a look at An Irish Goodbye and The Red Suitcase.

An Irish Goodbye

Lorcan (James Martin) and Turlough (Seamus O’Hara), two brothers who don’t get along, reunite following the death of Continue reading 2023 Oscars Best Live Action Short Film Reviews: The Red Suitcase, An Irish Goodbye →

2023 Academy Awards, All Movie Reviews, Like It, Long Reviews (>400 Words), Short Films

2023 Oscars Best Animated Short Film Reviews: My Year of Dicks, Ice Merchants, The Flying Sailor

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With the Academy Award nominations releasing earlier today, it is ample time for me to play some catch-up. As always, there are 15 short films nominated across three categories, and it is inevitable that people will look at these titles and squint a little. These films hardly receive any buzz, particularly compared to the heavy hitter feature contenders, and they usually end up getting short shrift as a result.

Often enough, though, there are more than a few short films that make the grade and which are Continue reading 2023 Oscars Best Animated Short Film Reviews: My Year of Dicks, Ice Merchants, The Flying Sailor →

All Movie Reviews, Horror, Leave it, Long Reviews (>400 Words)

Sick (2023) Movie Review

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John Hyam’s Sick does one thing; thankfully, it does that thing pretty well.

Hyam’s previous film, Alone, was a similarly straightforward piece of genre formalism. Both films share the same singular goal: shoot people in peril. Unlike Alone, Sick comes with horror genre royalty in its byline. Kevin Williamson’s first feature screenplay since Scream 4, Sick is a cabin in the woods style slasher in the time of Covid. It is April 2020, and two college students (Gideon Adlon and Bethlehem Million) decide to quarantine together at a fancy, isolated cabin. And, as anyone who’s seen a horror film will already be well aware, no one is truly alone in an isolated cabin at night.

The first hour of this 84-minute film consists almost entirely of young people being stalked violently by an anonymous, knife-wielding killer. Unlike the other Williamson property this brings to mind, though, Sick is Continue reading Sick (2023) Movie Review →

All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

A Man Called Otto (2022) Movie Review

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Six years ago, almost to the day, I reviewed A Man Called Ove, the Oscar-nominated Swedish film from Hannes Holm. It’s a startling concept, that I reviewed this six years ago, because I can’t imagine my abilities as a writer were up to snuff in the first few years of this site’s existence. Not that they are exceptional now, but I make do. It is fitting, perhaps, that I began thinking about my review of this English-language remake by reconsidering my initial review, given how retrospection and time factor into the themes of the material here.

But time also functions in a different way here. As in the question, why has Sony decided to remake this 2015 film for 2022 release and angle it for a late awards season push? I suppose on paper it adds up. Celebrated actor Tom Hanks taking on the role of Continue reading A Man Called Otto (2022) Movie Review →