Andy Kaufman | CineFiles Movie Reviews

There is a moment at the very start of Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligatory Mention of Tony Clifton where you expect this to be a pretentious showbiz doc, where Jim Carrey stares at the camera and tries to convince us in one line that the soul of Andy Kaufman embodied him when he got the job as Kaufman for the Milos Forman film Man on the Moon.

In a sense, Jim & Andy is this standard industry documentary, telling the story of how an actor was inspired to give another industry figure an in memoriam by way of biopic. It is the type of biopic that Continue reading Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligatory Mention of Tony Clifton (2017) Movie Review →

Note: This in an in-depth article on Anti-Comedy and Adult Swim programming. If I mention a given show, short film, or feature film, there is a strong chance that I will be giving spoilers for that video, so be cautious. Also, this is a multi-page article; the links to subsequent pages sometimes get lost at the bottom of the page.

Anti-Humor. Anti-Comedy. Meta-Humor. Non-Comedy. Whatever hyphenate you want to use to describe the brand of comedy that is purposefully not funny or otherwise lacking in traditional comic structure.

Anti-Comedy, as I will refer to it throughout the rest of this article, is a highly divisive form of comedy (my fascination with the divisive is well founded). Some dismiss it as destructive to quality comedy or simply lazy. Others can’t digest it as something humorous or necessary.

Late-night television programming block Adult Swim, launched in 2001 as a complement to Cartoon Network’s children’s programming, has harnessed these alternative forms of comedy to seeming success. With shows like Tim and Eric Awesome Show, Great Job!, The Eric Andre Show, and the short film series of Infomercials, Adult Swim has Continue reading Adult Swim, Anti-Comedy, and Cringe Humor: What’s the Appeal? →