Journalist and documentarian David Farrier likes strangeness on the fringes. And if his films are any measure (Tickled is such an odd artifact that I can’t say if I like the film or not), Farrier can’t avoid but get in the thick of the worlds his subjects inhabit. Who knows — perhaps he enjoys being pulled into the weird. (Harmless as the act was, he did not have to take the abandoned antique store’s sign, let alone go on to make an entire feature about the eponymous Mr. Organ).
Mister Organ begins at this store — Bashford Antiques. In the middle of what Farrier calls the “Beverly Hills of New Zealand,” a man is wheel-clamping cars parked in the lot by the store and charging the owners exorbitant prices just to get their cars back. One car owner, according to Farrier, was charged Continue reading Mister Organ — Fantastic Fest 2022 Movie Review→
Every once in a while, you might see something online about how the late comedian George Carlin was ahead of his time. That if he was still around he would eviscerate America in its current state. That he in some ways already did eviscerate modern America by criticizing topics decades ago that are still relevant today. These sorts of comments speak to the staying power of a singular comic figure. Similarly influential and boundary pushing comics — Lenny Bruce, for instance — don’t seem to get the same retrospective appreciation. What did Carlin do, exactly, to allow his comedy to seemingly transcend time?
2nd Chance premiered at the 2022 Sundance Film Festival
Ramin Bahrani is a director known primarily for fiction filmmaking. He made the Fahrenheit 451 adaptation for HBO. Last year, his script for The White Tiger was nominated for an Academy Award and a BAFTA. It perhaps does not come as a surprise then that Bahrani was initially approached by producers to make the story of Richard Davis, the Michigan man who developed the modern bulletproof vest, into a fiction film. And Davis’ tale could potentially make for an engaging fiction, given how outlandish aspects of it are.
Cannon Arm and the Arcade Quest is screening as part of the 2021 Fantastic Fest.
Seth Gordon’s 2007 The King of Kong: A Fistful of Quarters has become something of a cult doc. It depicts a classic underdog story within the arcade gaming community. An unknown family man who plays a Donkey Kong cabinet in his garage at nights goes after the world record set by video gamings biggest name at the time, Billy Mitchell. (Mitchell was later accused of cheating and falsifying his achievements. His world records were temporarily stripped from him and ultimately reinstated in 2020. There remain open legal cases on the issue which have yet to be resolved).
“To what extent is the computer a presence in itself?” Filmmaker Alice Lenay asks this near the midpoint of her documentary, Dear Hacker. She is on a webcam, interviewing people she knows (in some cases, it seems, people she knows solely from web-based interactions) about the possibility of a hacker hijacking her webcam. The film begins with her describing the blinking of the LED indicator light next to the webcam, which has made her fear that someone might be watching her. Although, fear may not be the most accurate word. More curious than afraid.