Rachel (Emily Blunt) has an overactive imagination, living vicariously in her mind through the fantasy lives of strangers that she sees from her daily train commute. In particular, she is fascinated by a couple whose true lives are far less glamorous than the sex appeal that is seen as a blip on the passing train.
The Girl on the Train is a mystery of sorts, but it is more akin to Continue reading The Girl on the Train (2016) Movie Review
Antoine Fuqua’s reboot of the seminal 1960 Western The Magnificent Seven (itself a Westernization of the 1954 Akira Kurosawa film The Seven Samurai) has a distinctly modern feel to it. Bandits have been replaced by violent capitalists. The fear of the outsider has been replaced by the fear of the wealthy. Of course, there is the fear-of-the-other narrative that introduces Denzel Washington’s Chisolm that screams modern relevancy. It is, however, a commentary only hinted at.
What we get in lieu of commentary is Continue reading The Magnificent Seven (2016) Movie Review
The first person POV film Hardcore Henry follows the eponymous character (here, the camera is a character) after an unexplained accident renders him maimed. Given cybernetic enhancements to essentially his entire body in a series of jump cuts, Henry must fight to save the wife (Haley Bennett) he doesn’t remember from the corporation that provided the parts that built him.
For the most part, it is your basic action movie plot: the untethered yet reluctant hero, the damsel in distress, the rugged in-the-know guru (or about a dozen of them), and the clearly immoral villain.
The gimmick, then, is the cinematographic choices. The real question, then, is: Is this a gimmick film? Continue reading Hardcore Henry (2016) Movie Review