Remember CHiPs? Remember how that worked out? Yeah? See where I’m going with this?
Starting from a baseline jump in which no one can possibly take it seriously is seemingly a good place for a film to begin. Expectations are meaningless when you are a high concept soft reboot with guaranteed bankability.
With the bar set this low, we shall look at Baywatch with a grain of salt (I would say sand, but this review is no laughing matter).
Matt Brody (Zac Efron and his washboard abs) is a disgraced two-time Olympic gold medalist whose career has been ruined by an unfortunate, vomitus-centered relay race. With no sponsors, job, or home, Brody has only one place to turn to: Continue reading Baywatch (2017) Movie Review
Antoine Fuqua’s reboot of the seminal 1960 Western The Magnificent Seven (itself a Westernization of the 1954 Akira Kurosawa film The Seven Samurai) has a distinctly modern feel to it. Bandits have been replaced by violent capitalists. The fear of the outsider has been replaced by the fear of the wealthy. Of course, there is the fear-of-the-other narrative that introduces Denzel Washington’s Chisolm that screams modern relevancy. It is, however, a commentary only hinted at.
What we get in lieu of commentary is Continue reading The Magnificent Seven (2016) Movie Review
I don’t understand. Carrie (2013) was unnecessary. The Amityville Horror (2005) was unnecessary. Does anybody remember Psycho (1998)? Rebooting classic horror movies simply doesn’t work (95% of the time, at least). Perhaps the only exception to this rule that can be found Continue reading Poltergeist (2015) Trailer Reaction