Best Production Design is not necessarily the easiest Oscar category to predict in any given year, but there are clear signposts that make a film’s production design “Oscar worthy.” Period settings. Visually-striking set dressing. Something lavish, or else something historical.

The Nominees:
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The costume design in the 2019 race is, all around, very good. And the nominees run the gamut of generic representation. Fantastical period piece musical. Western pastiche. Semi-futurist science fiction. 18th century British period piece. A 16th century British/Scottish period piece, as well.
It is a varied field with a lot of talent.

The Nominees:
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Best Costume Design is an award that traditionally has gone to the most showy, flowery, and baroque costuming. Of course, there are always exceptions to this idea. Nominees are often period piece films. But not always. There is a fairly clear formula, but there is wiggle room therein.

The Nominees:
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Note: Annihilation is no longer eligible for the Best Visual Effects Oscar. For some reason, it did not make the cut on the 2019 shortlist, in spite of it undoubtedly being the best visuals of any film on the below list. Alex Garland’s Ex Machina won this award for doing much less ambitious visual work. It doesn’t quite make sense.
Anyway, Best Visual Effects:

The Nominees:
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