Production design is what captures the setting of a film. Undoubtedly necessary and often overlooked, set dressing and set design are pivotal yet hard to compare.
Production Design is great. It is necessary. Without it a film would be like Neil Breen taping garbage bags up in his garage as a set. But it is also not an easy Oscar category to predict.
Best Production Design:
The nominees for the 2017 Academy Awards were announced this morning, and, as always, there were some unexpected additions that made the cut.
In the acting categories, we see some faces that surprisingly, yet thankfully, edged their way into the race. Continue reading 2017 Academy Awards Nomination Announcement Reactions
Production Design is essentially set design. It is the mise-en-scene vision of what will be filmed, whether it be on a sound stage or on location. This said, there were a lot of stellar production design schemes in film in 2016. There is a wide field to pick from, but I’m going to try.
Best Production Design
For whatever reason, this appears to be the hardest category for me to settle on. You have Stockhausen nominated again after his win last year for The Grand Budapest Hotel. You have the nominee leaders The Revenant and Mad Max: Fury Road in the mix. But The Martian and The Danish Girl can’t be counted out, either.
If Mad Max: Fury Road sweeps the technical awards (which I have a strong feeling it will), then Continue reading 2016 Academy Awards Predictions – Best Production Design
- The Grand Budapest Hotel — Adam Stockhausen, Anna Pinnock
- The Imitation Game — Maria Djurkovic, Tatiana Macdonald
- Interstellar — Nathan Crowley, Gary Fettis
- Into the Woods — Dennis Gassner, Anna Pinnock
- Mr. Turner — Suzie Davies, Charlotte Watts