I don’t think there is an awful lot to say about the 2019 races for Best Original Song and Best Original Score. One is barely a race, and the other has a standout front-runner with only minor competition.
This isn’t to say that the two categories are complete locks, but they are both pretty darn close.
The Nominees – Best Original Song:
Continue reading 2019 Oscar Predictions – Best Original Song and Best Original Score
Best Production Design is not necessarily the easiest Oscar category to predict in any given year, but there are clear signposts that make a film’s production design “Oscar worthy.” Period settings. Visually-striking set dressing. Something lavish, or else something historical.
Continue reading 2019 Oscar Predictions – Best Production Design
The costume design in the 2019 race is, all around, very good. And the nominees run the gamut of generic representation. Fantastical period piece musical. Western pastiche. Semi-futurist science fiction. 18th century British period piece. A 16th century British/Scottish period piece, as well.
It is a varied field with a lot of talent.
Continue reading 2019 Oscar Predictions – Best Costume Design
Best Costume Design is an award that traditionally has gone to the most showy, flowery, and baroque costuming. Of course, there are always exceptions to this idea. Nominees are often period piece films. But not always. There is a fairly clear formula, but there is wiggle room therein.
Continue reading 2019 Oscar Nominations Predictions – Best Costume Design
Note: Annihilation is no longer eligible for the Best Visual Effects Oscar. For some reason, it did not make the cut on the 2019 shortlist, in spite of it undoubtedly being the best visuals of any film on the below list. Alex Garland’s Ex Machina won this award for doing much less ambitious visual work. It doesn’t quite make sense.
Anyway, Best Visual Effects:
Continue reading 2019 Oscar Nominations Predictions – Best Visual Effects
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