I am not the type of person who remembers a film’s score long after I’ve left the theater. I kind of just let the score wash over me in the moment, and then it slowly escapes from my mind after I have written my review. Perhaps, then, I am no authority on the Best Original Score category. However, this year’s race has a pretty clear divide from which we can delineate frontrunners.
I don’t think there is an awful lot to say about the 2019 races for Best Original Song and Best Original Score. One is barely a race, and the other has a standout front-runner with only minor competition.
This isn’t to say that the two categories are complete locks, but they are both pretty darn close.
The Nominees – Best Original Song:
The 2018 crop of Best Original Score nominees is mainly comprised of familiar faces to the Academy: Williams, Desplat, Zimmer, etc. That said, there’s one newcomer to the Oscar-nominee club that could shake things up in this category.
In the case of the 2018 crop of Golden Globe nominees, these factors don’t really narrow anything down. But it’s still worth a try!
The Nominees – Best Score
Certain Academy Award categories are hard to predict simply because each use of the given film technique can be so different. Best Original Score is one of these categories in my mind. A sonic complement to a film can be so unique to the experience of a given film that it is hard to compare that score to scores of other films. It is a qualitative comparison that can be quite difficult in Oscar predicting.
Luckily, this year’s Academy Awards has a strong musical.
Best Original Score:
The song and score categories feel like foregone conclusions this year, with one film playing right to what the sound categories are looking for. The real question is what will fill the other four nominee slots.
Best Original Score
Scores are the under-appreciated backbone of tone in cinema. Composers control the emotional arcs of scenes. They reinforce important motifs. Music makes some films feel more full. A composer has to know what is at the heart of any script in order to properly do his/her job. The composers on these films understand this process. Let’s take a look at the nominees for Best Original Score.
Best Original Score
In film, a score is the mood. It is the suspense in a horror or thriller. It is the lightness of a feel-good period piece. It is the driving pulse of a drama.
The category of Best Original Score is always hard to narrow down. Similar names pop up through the years, but that doesn’t mean these usual suspects have an upper hand on any given award season. Following trends in other award shows is usually the best way to see who is going to win the Academy Award.
This year, there is a clear favorite, and his chances have been raised by Continue reading 2016 Academy Awards Predictions – Original Score
- The Grand Budapest Hotel — Alexandre Desplat
- The Imitation Game — Alexandre Desplat
- Interstellar — Hans Zimmer
- Mr. Turner — Gary Yershon
- The Theory of Everything — Johann Johannsson