Tag Archives: movie review

I Care a Lot (2021) Movie Review

The initial premise of J Blakeson’s I Care a Lot reads similar to Martin Scorsese’s The Wolf of Wall Street. Jordan Belfort exploited the ignored, undervalued currency in penny stocks and hit it rich. Marla Grayson (Rosamund Pike) exploits the ignored, undervalued currency in elderly care and hits it rich.

Gamifying the system of old folks’ homes, Grayson convinces the legal system to give her soul legal care of elderly patients suffering from “dementia” (read: some “mental confusion,” as quoted by a corrupt physician). She has an agreement with a care facility to dump off her wards. Meanwhile, she flips their homes and sells their belongings. She lines the wall of her office with headshots of her victims, dotting them with color-coded stickers—a point system. It’s a game.

Until it isn’t.

I Care a Lot takes a turn early on, one which morphs this Wolf of Wall Street meets Unsane plot into something unexpected. And who am I to spoil the fun. Let’s just say Continue reading I Care a Lot (2021) Movie Review

Freaky (2020) Movie Review

Writer-director Christopher Landon has a long history working with Blumhouse, first with the Paranormal Activity sequels then with the duo of Happy Death Day horror-comedies. The latter—Happy Death Day 2U in particular—present an intriguing twist on familiar generic ground which I enjoyed quite a bit. It would only make sense, then, that his latest, Freaky, a body-swap horror farce, would tickle my fancy just the same. That was my first thought.

Then, I recalled that Landon also co-wrote and directed Scout’s Guide to the Zombie Apocalypse, a similarly self-aware horror comedy that I found Continue reading Freaky (2020) Movie Review

Psycho Goreman (2021) Movie Review

It isn’t often when a movie with the singular perfect title comes along; just the best movie title of all time. Studios might as well not title new movies from here on out. They just will not be as good. The ghost of Orsen Welles wishes that he would have thought of the name Psycho Goreman when he shot Citizen Kane. Citizen Psycho Goreman might have actually won the Oscar for Best Picture.

But I digress. Steven Kostanski’s Psycho Goreman is not quite the movie that its name suggests. Yes, there is a Psycho Goreman (PG, for short), and he does Continue reading Psycho Goreman (2021) Movie Review

The Little Things (2021) Movie Review

The Little Things, which is currently available to HBO Max subscribers on Warners’ streaming service, takes place in 1990. It was also first written in the 1990s (registered with the WGA in 1993, apparently). And this comes as no surprise, given its bold adherence to the tropes of the procedural crime genre that ballooned in the 1990s after the massive success of The Silence of the Lambs.

Se7en is the film The Little Things is being compared to the most vocally (writer-director John Lee Hancock is quick to point out Continue reading The Little Things (2021) Movie Review

The Reckoning (2020) Movie Review

Neil Marshall’s The Descent holds special weight in my mind. I can recall being extraordinarily tense throughout watching that film, cementing it in my head as a distinctly effective horror film. That film is an intensely close-quarters survival thriller turned creature feature that has its cult fanbase, of which I guess I am a part. But after watching The Reckoning, I question whether it was simply a claustrophobia I did not know I had that made that film so effective.
 
 
The Reckoning, Marshall’s follow-up to the similar dud Hellboy, is a substantial disappointment. The premise of the film holds promise: during the time of the Great Plague, a woman is accused of dealing with the devil while trying to save her homestead following the untimely death of her husband. Setting a witch trial narrative on the backdrop of the Plague is intriguing. The Witch by way of Contagion, perhaps? Not quite.
Continue reading The Reckoning (2020) Movie Review

2020 Movie Review Catch-up #3 — Sound of Metal, Collective, Another Round

We continue our catch-up series with a trio of 2020 films worth watching: Sound of Metal, Collective, and Another Round.

Sound of Metal

Simply put, Sound of Metal is one of my favorite movies of the year. It blind-sided me a bit, given that Continue reading 2020 Movie Review Catch-up #3 — Sound of Metal, Collective, Another Round

2020 Movie Review Catch-up #2 – On the Rocks, Lovers Rock

In my rapid fire end-of-year move catch-up, I have been watching films which run the gamut on the quality spectrum. I want to share some brief thoughts on two more of these films.

On the Rocks

Sofia Coppola’s latest, On the Rocks, is missing something. There is a kernel of emotional oomph, a smidgen of tension, missing from this film. As a result, the film becomes this Continue reading 2020 Movie Review Catch-up #2 – On the Rocks, Lovers Rock

2020 Movie Review Catch-up #1 — Mank, Greyhound, Ava

I’ve been away. To be fair, movies have been away (for the most part), too. So perhaps I was taking advantage of the situation. I’m not going to movie theaters. In fact, this may be the longest continuous stretch of me not going to theaters…ever. Since I could walk, at least. Not going to theaters meant not seeing new movies meant not having content to review on the site, and thus…I had time to step away.

I’ve still been working, and writing, like mad. Writing a master’s thesis doesn’t sound all that bad until you realize that you have that and five or six other things on your plate. Then six months go by and you find you’ve only written about 50 pages. And no movie reviews…

I haven’t posted since Continue reading 2020 Movie Review Catch-up #1 — Mank, Greyhound, Ava

Fantasia Festival 2020 Movie Reviews — Undergods, You Cannot Kill David Arquette, Morgana

Continuing our coverage of the 2020 Fantasia International Film Festival, here are reviews of three festival selections: Undergods, You Cannot Kill David Arquette, and Morgana.

 

Undergods

A European-set anthology, Chino Moya’s Undergods has a strange energy. Occasionally languid, other times erupting in anger or abjection, it is a turbulent film aiming to Continue reading Fantasia Festival 2020 Movie Reviews — Undergods, You Cannot Kill David Arquette, Morgana

Review: The Dark and the Wicked — Fantasia Festival 2020

The Dark and the Wicked is screening as part of the 2020 Fantasia International Film Festival program.

Bryan Bertino’s The Dark and the Wicked, his first feature film since 2016’s The Monster, is in one sense a story of grief and loss. Two siblings, Louise (Marin Ireland) and Michael (Michael Abbott Jr.), return to their parents’ Texas farmhouse, as it has become clear that their mother (Julie Oliver-Touchstone) is struggling to care for their ailing father (Michael Zagst). Following an untimely death, Louise and Michael have to maneuver grief, while also contending with an evil presence that is haunting the farm.

It is certainly a workable premise for a moody horror flick, but the film ultimately fails to Continue reading Review: The Dark and the Wicked — Fantasia Festival 2020