M. Night Shyamalan has created a comic book world completely divorced from real-world comic books, yet all he wants to do in Glass is fit into the canon of superhero comics. The exposition often harps on, among many other things, comics—their origins, their narrative formulae, their character construction.
Glass is a superhero film, in that it recenters Shyamalan’s Split into a superhero versus arch-villain plotline, in which James McAvoy’s multiple personality super villain “The Horde” is Continue reading Glass (2019) Movie Review→
The Upside is a remake of the 2011 French film Intouchables, a facile yet hugely crowd-pleasing story about a white wealthy quadriplegic who hires a black ex-con to be his live-in caregiver. In the American iteration, the two roles are fulfilled by Bryan Cranston and Kevin Hart, with the role of Philip Lacasse’s (Cranston) uptight executive Yvonne being played by Nicole Kidman.
Neil Burger’s film is just as facile, and likely just as crowd-pleasing, as Intouchables.
While On the Basis of Sex illustrates the obstacle-laden road Ruth Bader Ginsburg (Felicity Jones) had becoming a lawyer, it pauses for a moment of attachment. A place where we understand the to-be U.S. Supreme Court Justice on a deeper level than we can by simply following her real-life legacy.
“Try doing one thing that scares you over break,” says a college professor to Zoey (Taylor Russell) after completing one of those let’s-open-our-movie-with-a-class-scene lectures. You know the ones I’m talking about. The ones where the teacher is somehow talking about the exact thing the movie is about, or otherwise is planting a piece of crucial information in the student’s head. The ones that never actually feel like they are real classroom discussions.
This is the start of EscapeRoom, a film about the trendy entertainment exhibits where groups of people are trapped inside a room and must find clues and solve puzzles to get out. But the danger of Continue reading Escape Room (2019) Movie Review→
The 2019 Oscar nominations will be announced on January 23, 2019. But the Academy has already narrowed down its candidates in many categories. For Best Animated Short Film, that list is down to 10. Of those 10 shortlisted short films, I have reviews for nine.
There are 30 short films which are shortlisted for Academy Awards across the three shorts categories—Best Live Action Short, Best Animated Short, and Best Documentary Short Subject. This will be cut in half come January 22nd. Before that happens, let’s take a look at a few of the shorts vying for nomination.