The Wife is written by Jane Anderson, based off the novel of the same name by Meg Wolitzer. It is written with superb eloquence. It stars Glenn Close as the eponymous wife, Joan Castleman, whose husband Joseph (Jonathan Pryce) has just won the Nobel Prize in literature, although it becomes clear that Joe is not quite deserving of the award. Close presents us with an Oscar-worthy performance whose understatement is matched only by the brief flashes of ferocity.
A Simple Favor is a mystery film with a sleek aesthetic and a windy plot saturated with plot twists that charge forward to a cat-on-mouse-on-mouse game of a final act. With Paul Feig behind the wheel, it cannot help but also be a riotously overt dark comedy with full on laugh lines punctuating most moments of purported tension. It is a film that aims to be both thrilling and funny, which turns out to not be entirely either.
And I kinda like it…
A Simple Favor is a film that revels in its sheer messiness, like a child who spills his milk with a smile on his face just to get attention. The plot begins fairly simply. Stephanie Smothers (Anna Kendrick) is Continue reading A Simple Favor (2018) Movie Review→
The Predator is proof that 1980s action movies cannot be made today. Cult favorite Shane Black and his writing partner Fred Dekker have concocted a sequel-reboot stuffed to the ears with the worst of ’80s action tropes. But at least there’s an alien in it, right?
“In 1980s Detroit, Ricky Wershe Jr. was a Street Hustler, FBI Informant and Drug Kingpin—all before he turned 16,” boasts the poster for White Boy Rick, the true-crime drama courtesy of director Yann Demange and Matthew McConaughey’s hair. Because if any actor could use a mullet for its full creative potential…
A political nomination, triplets on the way, a terminal diagnosis, a constantly chiming cell phone, and a pistol. These are the nodes determining the tizzy that is The Party, a black-and-white dark comedy from Sally Potter.
Janet (Kristin Scott Thomas) has just received a new position within the opposition party. To celebrate, she hosts a small get together with friends.
Peppermint is essentially the same film as Eli Roth’s remake of Death Wish from earlier this year, only slightly less visually flat and generally more interesting. But don’t misunderstand. Peppermint is not a great movie. It is merely better than one of the most lackluster action films of the year.
The Nun is the latest entry into the The Conjuring franchise. After a standout appearance in The Conjuring 2, the eponymous demon nun (Bonnie Aarons) is given the standalone treatment. In this iteration, it is Romania in 1952. In the catacombs beneath a rural convent, two nuns approach a door sealed with a wooden beam. Carved in that lock, in Latin, are the words “God ends here.”
On the other side of the door…
Is an evil nun. Can’t imagine it’s a spoiler to mention that.
This cold open, aside from not making a ton of sense given the demon nun Valak’s end goal, establishes the foggy, gloomy atmosphere of the film. One of the nuns, as she runs from Valak, Continue reading The Nun (2018) Movie Review→