Category Archives: Comedy

I am serious…and don’t call me Shirley.

Friendship (2025) Movie Review

It has become increasingly common since the COVID-19 pandemic for stories, think pieces, podcast episodes, TikTok clips, studies, surveys, and all manner of media detritus to be made on the current state of adult friendship and an apparent “loneliness epidemic.” Why are people feeling so lonely, more so now than ever before?

Despite how it’s been characterized, this “epidemic” is not a novel phenomenon unique to one generation or isolated to a “post-pandemic” moment in time. It’s a decades old trend in declining social connection, according to former U.S. Surgeon General Vivek Murthy. Still, the discourse surrounding this supposed epidemic comes with the usual nervy energy of Internet-brained discussion: if this is a crisis, then it must have a solution, and its causes must be easily condensed into digestible bullet points.

This reduction of the complexities of human relationships into basic cause-effect bullet points (we are more lonely…because technology!) is a useful entry point into Continue reading Friendship (2025) Movie Review

Final Destination: Bloodlines (2025) Movie Review

After spending time revisiting all of the Final Destination films, I found the long wet cement of my opinions on the franchise finally hardening. Until now, I wasn’t quite certain on the merits of the horror series in which the unseen force of Death gleefully slaughters special individuals who at first escape Death’s grasp. There is something fun about the premise, and in discrete moments this sense of fun comes to the fore. But often, these films are fairly mild in terms of horror and fail to nail the comedy tone that I think is necessary for these film to work at all.

Final Destination: Bloodlines, thankfully, fully understands the assignment. There are moments that lean towards serious drama, but in the main this film makes Continue reading Final Destination: Bloodlines (2025) Movie Review

Review: Queens of Drama — Fantastic Fest 2024

Queens of Drama is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

Alexis Langlois’s Queens of Drama is a riff on the A Star is Born formula, wherein the young, bright-eyed ingenue is thrust into a world of celebrity that bends and breaks them. The young star-to-be in question is Mimi Madamour (Louiza Aura), a quiet 18-year-old auditioning for an American Idol-adjacent singing competition. While there, she meets Billie Kohler (Gio Ventura), another competing hopeful. In some ways, their drastically different experiences with the singing audition paves the way for their diverging paths toward pop notoriety.

The film quickly establishes a dichotomy between the American Idol-ization of mainstream pop and a much more sonically potent underground music scene. In both cases, Continue reading Review: Queens of Drama — Fantastic Fest 2024

Review: Touched by Eternity — Fantastic Fest 2024

Touched by Eternity is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

The opening of Touched by Eternity suggests that the secret to immortal life is yeast. In particular, yeast KC1822V, which is the subject of experimental research to test its life-sustaining properties. A man who is never given a name, but he claims everyone calls him Fatso (Andris Keišs), lives alone in a trailer, watching video podcasts on the study of this yeast and purchasing it by the box load. He eats the yeast raw, despite the plea of scientists that doing so could be dangerous. This disclaimer proves to be, at least partially, true, as when the courier delivering the latest shipment curiously tries some himself, he keels over with foam bubbling from his mouth.

None of this is of too much consequence to the plot of Touched by Eternity, the quirky vampire film from Mārcis Lācis. Fatso stumbles upon a fitting substitute for immortal yeast: Egons and Carlos (Ivars Krasts and Edgars Samītis) two pansexual vampires that show up immediately following the delivery carrier’s poisoning in search of a screwdriver. Soon, Fatso is thrust into Continue reading Review: Touched by Eternity — Fantastic Fest 2024

Review: Bookworm — Fantastic Fest 2024

Bookworm is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

I recall seeing Ant Timpson’s Come to Daddy back in 2019 at midnight at the Alamo Drafthouse during Fantastic Fest. I also recall being dead tired and not particularly jazzed by the Ant Timpson experience. I’ve since returned to his feature debut following an adequate amount of sleep, and I can still see why I had been turned off by the experience at the time. It’s slow-build story structure and unlikable characters require a little bit of patience. However, while the film is by no means perfect, it is clever and nasty in the right moments.

Timpson’s latest, Bookworm, is a much different type of film (although, both films have a fascination with estranged dads). Far from the oddball comedy thriller of Come to Daddy, Bookworm is an oddball, mostly family-friendly comedy about dangerous predators in the New Zealand wilderness.

After her mother falls into a coma due to a Continue reading Review: Bookworm — Fantastic Fest 2024

Review: Ebony and Ivory — Fantastic Fest 2024

Ebony and Ivory is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

Ebony and Ivory is absolute nonsense, and that isn’t entirely a bad thing. Imagine a biopic about the creative experience behind one of the best-selling duets in pop history (the Paul McCartney and Stevie Wonder song of the title), then pay a back-alley surgeon to lobotomize that idea out of your brain forever. What remains might be Ebony and Ivory.

Jim Hosking, the director behind the divisive cult gross-out film The Greasy Strangler, brings the two legendary musical icons together in a cabin in rural Scotland, only to Continue reading Review: Ebony and Ivory — Fantastic Fest 2024

Review: Mash Ville — Fantasia Festival 2024

Mash Ville is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


Mash Ville is the type of ensemble crime film that is so jam-packed with plotty incident and odd characters that it feels as though the film is doing a lot and thus must be doing something interesting and new. The film aspires to be something like an acid western, and it may also draw comparisons to Tarantino or the Coens, in that the film attempts to blend slick humor with farce with black comedy.

The problem with an overly plotted black comedy about death and crime is that, if you do too much, it becomes Continue reading Review: Mash Ville — Fantasia Festival 2024

Review: FAQ — Fantasia Festival 2024

FAQ is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

FAQ is an interesting little creature. It has an infectious personality, driven by the child actor at its center. For a small-scale story about childhood and parenting, it is doing quite a lot (perhaps too much). Even as it is unclear exactly where it is going, what its odd plot points are progressing toward, the film gets by on heart and charm and liveliness.

At its core, FAQ is a film about a daughter and a mother. Dong-chun (Park Na-eun) is a quiet, curious, and restless child who, despite an excelling mind, struggles to make sense of her studies. Her mother (Park Hyo-ju) is worried about Continue reading Review: FAQ — Fantasia Festival 2024

Review: The Old Man and the Demon Sword — Fantasia Festival 2024

The Old Man and the Demon Sword is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

Despite being extremely talky with heavily expository dialogue, the plot of Fábio Powers’ The Old Man and the Demon Sword is immediately confusing. Something meant to resemble a force field is cut through by a swordsman and his demon-possessed sword, initiating a battle against skeletal shadow people that no one else can see (save for the random older man of the title, who pops out of the bushes with a knife). The sword wants the barrier to be breached, for reasons I could not quite identify. And some sort of grand council is pulling the strings of the skeleton army, it seems.

The hooded hero has what is meant to be witty banter with the demon sword (João Loy), a trait carried over to the old man Tonho (Antonio da Luz) once he acquires the sword. The film, ostensibly, is an Continue reading Review: The Old Man and the Demon Sword — Fantasia Festival 2024

IF (2024) Movie Review

John Krasinski’s IF is something of an imaginary creature in today’s cinema landscape. Paramount’s aspirant blockbuster is a full-on big budget children’s film with no attachment to established intellectual property. Compare this to essentially every other family offering coming up this summer: Despicable Me 4, The Garfield Movie, Inside Out 2, Harold and the Purple Crayon. The big purple elephant in the room is the weird imaginary friend movie that is a big studio risk in desperate search for an audience. This audience, one imagines, is families. The kids come for the colorful creatures that are wholly unrecognizable to them, and the parents stay for…potentially life threatening heart surgery?

The shame is that the diverse array of computer-generated imaginary things (they prefer to be called “ifs” for whatever reason) are mostly great visual effects, and they also are occasionally characters with personality. The potential for this to be Continue reading IF (2024) Movie Review