John Krasinski’s A Quiet Place was a massive success in 2018, when it was met with a large box office cume and critical appreciation. In part, this critical fascination was due to the sheer silence the film conjured in its theatrical audience. With the sound design so deliberate (and so dedicated to being quiet), idle chatter and candy wrapper rustling in the theater was tacitly discouraged.
A Quiet Place has its moments, showcasing Krasinski’s ability to plant overt seeds in suspenseful sequences which (at their best) conjure delightful tension. Perhaps not the most groundbreaking horror-thriller, but it is not hard to see why it was such a crowd-pleaser.
A Quiet Place Part II—which is now being discussed as one of the first resuscitative heartbeats at the domestic box office since the start of the COVID-19 pandemic—has the Continue reading A Quiet Place Part II (2021) Movie Review
The first sequence in A Quiet Place is one of the more immediately tense openings to a horror movie in recent memory. Without fully understanding the world, we understand almost from the first shot what sort of situation we have entered into. The film opens in an abandoned pharmacy, where a family is quietly perusing the aisles for supplies. The family speaks only in sign language, even though only the daughter (Millicent Simmonds) is deaf. It is clear that something bad comes with too much noise, so they don’t make a sound.
Until they do.
It’s a completely effective opening to the film. Continue reading A Quiet Place (2018) Movie Review
Kathryn Bigelow, known most recently as the director of war films The Hurt Locker and Zero Dark Thirty, depicts a different sort of war in Detroit.
Told in three acts, Detroit covers the 1967 rebellion of Detroit citizens against a racist police force. Following the raid of an illegal club, riots against the Detroit police begin, escalating to the point where Continue reading Detroit (2017) Movie Review
One man. Thousands of movies.