Category Archives: Drama

Life is but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more

Review: Lurker — Fantasia Festival 2025

Lurker had its Canadian premiere on Aug 1 as part of the Fantasia International Film Festival.

Alex Russell’s debut film Lurker is about obsession. It is in one sense about the parasocial relationships fostered by celebrity, but more accurately it is about the mind of a person who manipulates the world around him in order to embed himself within one celebrity’s orbit. It is a film about a sociopath, essentially.

Matthew (Theodore Pellerin), this sociopathic personality, works at a clothing store occasionally patroned by an up-and-coming musician named Oliver (Archie Madekwe). Matthew plays a song over the speaker that is calculated to get Oliver’s attention. When he gets it, he pretends to have never heard of Oliver’s music. He, of course, has heard it. In fact, he relentlessly stalks Oliver’s social media to gain Continue reading Review: Lurker — Fantasia Festival 2025

Review: $POSITIONS — Fantasia Festival 2025

$POSITIONS had its Quebec premiere on July 30 as part of the Fantasia International Film Festival.

It is hard to shake the resemblance between Brandon Daley’s $POSITIONS and Benny and Josh Safdie’s Good Time. The two brothers at the center, the economically motivated premise, the ill-conceived choices, the propulsive synth score. The two films are so similar, in fact, that by the time this review goes live, every other person on the Internet will likely have already made the comparison.

The biggest difference between the two films is in the tone, where $POSITIONS is more overtly comedic. More specifically, it is a comedy of errors meets grossout comedy sort of cringe comedy. And its gags get so Continue reading Review: $POSITIONS — Fantasia Festival 2025

Review: OBEX — Fantasia Festival 2025

OBEX had its Canadian premiere on July 29 as part of the Fantasia International Film Festival.

It’s 1987. “Computer” Conor (Albert Birney, who also directs) spends his morning talking lovingly to his dog Sandy and watching the news on one of the three television sets stacked in a row in the middle of his living room. He works from home, rapidly typing out on his Macintosh computer digital recreations of photographs that people send to him. His neighbor Mary (Callie Hernandez) arrives weekly to check up on him and bring him groceries, but he never opens the door.

While thumbing through a computer hobbyist catalogue, Conor stumbles upon a mysterious ad for a video game called “OBEX.” Not only is it a game, but it is Continue reading Review: OBEX — Fantasia Festival 2025

Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing

Lucid and Every Heavy Thing had their world premieres on July 21 as part of the Fantasia International Film Festival.

Lucid

Mia (Caitlin Taylor) is an art student without inspiration. When she screws up her self-portrait, she nails a dead fish to it at the last minute and hurries to the studio. Her instructor and most of her classmates are unimpressed. Desperate for Continue reading Fantasia Festival 2025 Reviews — Lucid and Every Heavy Thing

Mission: Impossible – The Final Reckoning (2025) Movie Review

After nearly 30 years, the Mission: Impossible film franchise is finally (maybe) coming to an end. As a time capsule, it has tracked Hollywood’s A-list golden boy Tom Cruise through multiple eras of Hollywood blockbuster. In 1996, the town was dominated by movies led by actors who could “open.” That list of talent who can sell a movie on their star power alone has long since shrunk into (arguably) a single digit number.

Cruise has fought to remain on this dwindling list, largely hanging his hat on the franchise that allows him to tout death-defying stunts and globe-trotting exploits. The franchise has grown with his outsized ambition, bloating into epics of grandiose international espionage with ludicrous plots and lengthy (and often exquisitely choreographed) set pieces.

For those that enjoy the fare, the ballooning insanity of the franchise’s stunts (and runtimes) is not only accepted but encouraged. It is only expected, then, that Cruise and director Christopher McQuarrie would fully embrace the Continue reading Mission: Impossible – The Final Reckoning (2025) Movie Review

A Complete Unknown (2024) Movie Review

No matter how you want to trace the lineage of the music biopic, we don’t arrive at a formula-to-an-absolute-fault film like Bohemian Rhapsody without first traveling through James Mangold’s Walk the Line. To see Johnny Cash resurface in Mangold’s return to the genre (now played by a perpetually suave Boyd Holbrook) is like witnessing a poltergeist haunting another film. Or a demon that somehow escaped total exorcism from Walk Hard: The Dewey Cox Story, a superior take down of the music biopic and a film that remains culturally relevant so long as Hollywood continues churning out mediocre celebrations of celebrity.

Walk the Line was a crossover success, breaking $100 million at the box office, garnering generally positive reviews, and earning a number of accolades including an Oscar for Reese Witherspoon. A Complete Unknown is angling to do the same. The problem (perhaps) is that Continue reading A Complete Unknown (2024) Movie Review

Review: Queens of Drama — Fantastic Fest 2024

Queens of Drama is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

Alexis Langlois’s Queens of Drama is a riff on the A Star is Born formula, wherein the young, bright-eyed ingenue is thrust into a world of celebrity that bends and breaks them. The young star-to-be in question is Mimi Madamour (Louiza Aura), a quiet 18-year-old auditioning for an American Idol-adjacent singing competition. While there, she meets Billie Kohler (Gio Ventura), another competing hopeful. In some ways, their drastically different experiences with the singing audition paves the way for their diverging paths toward pop notoriety.

The film quickly establishes a dichotomy between the American Idol-ization of mainstream pop and a much more sonically potent underground music scene. In both cases, Continue reading Review: Queens of Drama — Fantastic Fest 2024

Review: Steppenwolf — Fantastic Fest 2024

Steppenwolf is screening as part of Fantastic Fest 2024, which runs from September 19 to September 26.

Steppenwolf is a formally striking piece of grand existential absurdism. Within the confines of a brutal civil war, the characters in the film (in particular, the sociopathic Brajyuk) face death with an ironic distance that would make Camus’ Meursault proud.

The film opens with the violent takeover of a remote police compound where political prisoners are being tortured. When staring down the barrel of a gun, Brajyuk (Berik Aitzhanov), a corrupt police interrogator, tells his rebel captors that Continue reading Review: Steppenwolf — Fantastic Fest 2024

Review: Black Eyed Susan — Fantasia Festival 2024

Black Eyed Susan is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


Scooter McCrae could be described as an underground filmmaker. His three features have all been made on shoestring budgets and have provocatively challenged conventions. I remain a neophyte to McCrae’s work (I promise I will watch Sixteen Tongues very soon, but I didn’t have time to catch up with it ahead of this review). At the same time, I imagine I will see similar themes and moods to Black Eyed Susan present in his earlier films.

In the film, a man with a history of alcohol dependency and aggressive outbursts, Derek (Damien Maffei), is hired by an acquaintance to work at an artificial intelligence development company. The technology the company wants to push to market, and which Derek is tasked with testing, is a highly realistic Continue reading Review: Black Eyed Susan — Fantasia Festival 2024

Review: The Soul Eater — Fantasia Festival 2024

The Soul Eater is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


In the rural town of Roquenoir, France, a series of murders and kidnappings have taken place. One survivor, a young boy, says it is the work of the “Soul Eater,” a creature of urban legend that steals children away into the woods.

Two investigators working under different jurisdictions are tasked with investigating the case. Elisabeth (Virginie Ledoyen) works for the National Police and is focused on the murders. Franck (Paul Hamy), the captain of the National Gendarmerie, is focused on the missing children. The two butt heads as they seek answers about this mysterious series of crimes.

Julien Maury and Alexandre Bustillo, best known for their bloody 2007 film Inside, bring glimpses of the gruesome to this otherwise Continue reading Review: The Soul Eater — Fantasia Festival 2024