In the 1930s and the 1940s, Universal made a name for itself creating monster movies. Dracula, Frankenstein, and The Wolfman, among others, were hugely popular intellectual properties in Hollywood. They made household names of Bela Lugosi and Boris Karloff. They were undoubtedly iconic films.
Now, Universal is rebooting the franchise. They first attempted this interconnected horror universe with Continue reading The Mummy (2017) Movie Review
It Comes At Night is a terse family drama disguising itself as a horror film. Still, it remains the scariest filmgoing experience of 2017 thus far.
The film takes place in an idyllic cabin hideaway in the woods. It is the sort of place that you would run off to on a lazy Summer weekend. But this house also has wood boarding up its windows. It has a pair of doors—one prominently red—locking itself off from the outside world.
This is no vacation. It is survival.
This contrast that director Trey Edward Shults plays with is crucial to the thematic understanding of It Comes At Night. In the film, a family of three have just buried Continue reading It Comes At Night (2017) Movie Review
Raw is a beautiful, disgusting mess. And it’s fantastic.
In the prestigious veterinary school newly attended by Justine (Garance Marillier), hazing is tradition. Midnight dorm raids. Mandatory partying. Buckets of blood dumped Carrie-style. Eating raw rabbit kidneys.
For most, this would be frustrating but tolerable. But Justine is also Continue reading Raw (2017) Movie Review
Melanie (Sennia Nanua) is confined to a cell. She must strap herself in to a wheelchair at gunpoint before she can leave it. She is kept under close, militaristic watch. She is dangerous. And she is also a child.
In a secure compound, children like Melanie learn by rote during the day and are held in lockdown at night. They are test subjects for a Continue reading The Girl With All the Gifts (2016) Movie Review
The Dark Tapes is an independent found footage horror anthology. It is a film in the same family as the V/H/S films, The ABCs of Death, and the recent XX. The difference between those films and this is that, while other anthology films split its work among multiple directors who each take on a self-contained short, The Dark Tapes is a film written by one screenwriter (Michael McQuown, who also shares directorial credit with Vincent Guastini).
As such, the frame narrative should share some cohesion across the film. The immediate impression, thus, is that the various “chapters” bleed together. Glitches transition between the shorts on the “tape.”
What this does at first is cause Continue reading The Dark Tapes (2017) Movie Review
A family of three move into a quaint rural home that was once the site of a double homicide, perpetrated at the hands of a man (Pruitt Taylor Vince) who hears the voice of the devil in his head.
Jesse Hellman (Ethan Embry), father and husband, is a contract painter and metalhead. He’s a young-at-heart, hippie-looking pot smoker who hates painting flowers for banks. And he also picked the wrong house to move into.
Sean Byrne, whose directorial debut The Loved Ones provided an Continue reading The Devil’s Candy (2017) Movie Review
At CineFiles, we like to stay current. We try our very best to see the big new releases right as they come out, so that we can get reviews out to you lovely readers in a timely manner. This task is not always easy, especially given that our choice of pronoun can be deceiving in terms of number agreement.
So, yeah, we didn’t see Lights Out last Summer. What’s it to you?
All joking aside, Lights Out is the number one genre movie that I regret not seeing last year. As such, I’m back almost a year later to pick up the slack. I watched Lights Out (thanks, Cinemax), so let’s talk about it.
Lights Out is the feature length film from David F. Sandberg adapted from the short film by David F. Sandberg. The short film is an intriguing game of Continue reading Lights Out (2016) Movie Review